The Cinema Group News

Anora Review: Makes ‘Pretty Woman’ Look Like a Disney Movie

Sean Baker's Anora features Mikey Madison in a career-defining performance as a young sex worker caught in a romance with a wealthy scion. With its unique blend of genres, the film explores wealth, power, and the limits of

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Robert Pattinson to Produce 'Primetime' for A24, Directed by Lance Oppenheim

Robert Pattinson partners with A24 and Lance Oppenheim to produce Primetime, a crime drama inspired by To Catch a Predator. The film will explore the dark underbelly of crime and revolutionize television. Production begins early next year.

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Bird Review: A Harrowing, Empathetic Vision from Andrea Arnold

In Bird, Andrea Arnold paints a raw and visceral portrait of innocence, survival, and societal fragmentation. Nykiya Adams delivers a mesmerizing performance as Bailey, a teenager navigating life on the fringes of Kent, England. Her father's shadowy dealings and the so-called protectors blur the lines between justice and violence. With standout performances by Barry Keoghan and Franz Rogowski, Bird offers a poignant reflection on the complexities of youth in a fractured world.

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Reviews, Film, Film Festival, Movies, Movie Premiere, Actors, Directors Jonathan Moustakas Reviews, Film, Film Festival, Movies, Movie Premiere, Actors, Directors Jonathan Moustakas

A Deep Dive into Memory and First Love: A Review of Duino

Dive into our review of Duino, a poignant film by Juan Pablo Di Pace and Andrés Pepe Estrada. This coming-of-age story explores memory, love, and the complexities of self-discovery, set against the picturesque town of Duino. Rated 4/5 by The Cinema Group.

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GOLDEN GLOBES CLOSE CALLS DECIDED: ‘ANORA,’ ‘THE APPRENTICE,’ ‘HERETIC,’ ‘A REAL PAIN,’ & MORE CLAIM DRAMA & MUSICAL/COMEDY CONTENDERS

Check out how top contenders are breaking for the Golden Globes' drama and musical/comedy categories. Films like Anora and A Real Pain opt for the musical/comedy field despite dark tones, while The Apprentice and Queer are slated for drama. With a looming Nov. 4 deadline, filmmakers and distributors still have time to finalize their submissions, but the organization may overturn classifications deemed unsuitable.

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