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Luca Guadagnino’s After the Hunt starring Julia Roberts, Andrew Garfield, and Ayo Edebiri has divided critics at Venice, drawing praise for its performances but criticism for its ambiguity.
Jeremy Allen White channels Bruce Springsteen in Springsteen: Deliver Me from Nowhere while Colin Farrell spirals into addiction in Ballad of a Small Player at Telluride. Both films premiered to strong reactions and are already fueling early Oscar buzz.
Jim Jarmusch’s new anthology film Father Mother Sister Brother, starring Tom Waits, Cate Blanchett, Adam Driver, Charlotte Rampling, and Vicky Krieps, premieres at the Venice Film Festival before a December 24 release from Mubi.
IFC Center marks its 20th anniversary with a two-part series, 20 Films for 20 Years, featuring works by David Lynch, Barry Jenkins, Bong Joon Ho, Julia Ducournau, and more. Screenings run Aug. 29–Oct. 2 in New York.
At Venice, Luca Guadagnino explained why After the Hunt opens with Woody Allen–style credits, calling it both a homage to classic cinema and a provocation about how we reckon with controversial artists. Starring Julia Roberts, Ayo Edebiri, and Andrew Garfield, the Amazon MGM Studios drama opens Oct. 10.
Benedict Cumberbatch and Olivia Colman headline Jay Roach’s The Roses, a reimagining of The War of the Roses. Stylish, sharp, and funny, the marital comedy entertains even if it lacks the final bite of its predecessor.
Heidi Gardner, Devon Walker, Michael Longfellow, Emil Wakim, and writer Celeste Yim won’t return for SNL Season 51, marking one of the biggest cast shakeups in years.
George Clooney powered through illness to attend the Venice premiere of Noah Baumbach’s Jay Kelly, where the Netflix dramedy earned a 10-minute standing ovation and early Oscar buzz.
The 82nd Venice Film Festival kicked off with Paolo Sorrentino’s La Grazia premiere and red-carpet arrivals from George and Amal Clooney, Emma Stone, Adam Sandler, and more.
TIFF’s 50th edition introduces new awards including the International People’s Choice Award and Short Cuts Animated Prize. Full list of juries and categories revealed ahead of the September 14 ceremony.
Taylor Sheridan’s hit series Landman returns for Season 2 on Paramount+ this November, with Billy Bob Thornton reprising his Golden Globe–nominated role and Sam Elliott joining the cast.
A secret Brooklyn event turned into a gritty crime-themed party for Darren Aronofsky’s Caught Stealing, with Austin Butler, Matt Smith, Griffin Dunne, and Yuri Kolokolnikov leading fans through a night of chaos ahead of the film’s August 29 release.
Bradley Cooper directs Will Arnett and Laura Dern in Is This Thing On?, a Searchlight drama-comedy about divorce, reinvention, and the courage to pursue stand-up. Premieres Dec. 19 after NYFF.
Austin Butler leads Darren Aronofsky’s Caught Stealing, a stylish, violent, and unexpectedly fun New York crime caper with standout turns from Zoë Kravitz, Regina King, and Vincent D’Onofrio. Sleek, pulpy, and unpredictable, this may be Aronofsky’s most commercial — and most entertaining — film yet.
Netflix’s Black Rabbit stars Jude Law and Jason Bateman as brothers whose bond is tested in the cutthroat world of New York nightlife. Here’s everything we know about the new limited series.
Kathryn Bigelow returns with A House of Dynamite, a tense military thriller starring Rebecca Ferguson and Idris Elba. The film premieres at Venice, hits theaters Oct. 10, and streams on Netflix Oct. 24.
A24 is reviving NYC’s Cherry Lane Theater with a weeklong reopening celebration in September, featuring Spike Lee, Sofia Coppola, Brandi Carlile, Jodie Foster, Jerrod Carmichael, and more.
Venice 82 brings a powerhouse lineup of auteurs and awards contenders. From Guillermo del Toro’s Frankenstein to Yorgos Lanthimos’ Bugonia and Kathryn Bigelow’s A House of Dynamite, these are the must-see films of the festival.
Nicolas Cage is in talks to headline True Detective Season 5, with Issa López returning as showrunner. The new season, set in New York’s Jamaica Bay, is expected to begin filming in 2026 for a 2027 premiere on HBO.
Hundreds of filmmakers, including Ken Loach, Alba Rohrwacher, and Céline Sciamma, signed an open letter urging the Venice Film Festival to condemn what they describe as genocide and ethnic cleansing in Gaza. The Biennale responded, citing films in its lineup as evidence of open dialogue.
Prime Video confirms Blade Runner 2099, its limited series sequel to Blade Runner 2049, will debut in 2026. Michelle Yeoh leads the cast alongside Hunter Schafer, with Ridley Scott executive producing.
Warner Bros. secures With the 8th Pick, a new film chronicling Kobe Bryant’s legendary 1996 NBA draft night. Written by Alex Sohn and Gavin Johannsen, the project explores the pivotal decisions that could have changed the league forever.
‘Splitsville’ is a sharp, stylish comedy from Michael Angelo Covino and Kyle Marvin. Dakota Johnson and Adria Arjona headline a story of open relationships turned open warfare — a slap-in-the-face indie triumph with dazzling visuals, chaotic humor, and star power to spare.
This week’s biggest releases include Ethan Coen’s ‘Honey Don’t!,’ Ron Howard’s survival thriller ‘Eden,’ Riz Ahmed in ‘Relay,’ and the return of DC’s ‘Peacemaker’ Season 2, alongside fresh streaming premieres and VOD drops.
Margaret Qualley delivers a career-defining performance in Ethan Coen’s Honey Don’t!, a neon-soaked detective thriller that pairs pulp absurdity with heartfelt emotion. Aubrey Plaza and Chris Evans round out a wildly entertaining cast.
John Cena returns in Peacemaker Season 2, a tighter, more emotional chapter that trades spectacle for character depth while cementing James Gunn’s series in the new DCU.
New Trailers
In Guillermo del Toro’s emotionally charged gothic epic, Victor Frankenstein brings his creation to life in a story as much about love and identity as it is about monstrous ambition.
The official trailer captures the eerie and lyrical tone of del Toro’s long-awaited adaptation. Oscar Isaac portrays Victor Frankenstein, while Jacob Elordi appears in striking makeup as the Creature, humanized rather than grotesque. Atmospheric showcase moments include their fateful encounter, moments of isolation, and emotional improvisation rather than shock. The imagery is hauntingly beautiful—lush, operatic, and intensifying character depth over terror.
Two lifelong best friends, Simon and Laura, find their bond challenged when a futuristic soulmate test deems them incompatible—forcing them to confront unspoken feelings and the question of whether love defies destiny.
The teaser follows Simon (Brett Goldstein) and Laura (Imogen Poots), college best friends whose relationship falters after she takes a scientific test intended to reveal her true soulmate. Despite being excluded, Simon remains emotionally tethered to her. Over time, as their paths diverge and cross again, flashpoints reveal moments of longing, regret, and enduring connection. The trailer balances heartfelt intimacy and sci-fi poignancy, with chemistry that echoes classic romantic dilemmas. Written and directed by William Bridges alongside Goldstein, it threads humor, heartbreak, and emotional truth across time.
A couple approaching divorce navigates middle age, identity shifts, and co-parenting—drawn to New York’s comedy scene as they rediscover connection in unexpected ways.
The teaser introduces Alex (Will Arnett) and Tess (Laura Dern), a married couple quietly unraveling while trying to maintain family stability. Alex, grappling with the emptiness of middle age, seeks solace and reinvention in New York’s stand-up comedy scene. Tess wrestles with her own sacrifices and evolving role. Their paths converge through candid humor, inner vulnerability, and subtle emotional fractures that interrogate what it means to grow apart—and potentially grow again. The tone fuses introspection with gentle comedy, anchored by empathetic performances and Bradley Cooper’s tender direction.
Ben Richards joins a lethal reality show—forced to survive 30 days as “The Runner” while pursued by professional assassins across the globe—to save his sick daughter in a dystopian America.
Edgar Wright’s fast-paced teaser thrusts Glen Powell into a dystopian near-future where society’s collapse has birthed a deadly televised spectacle. Desperate and blacklisted, Richards signs up for The Running Man, a brutal game where he must evade hunters for 30 days on live broadcast. With intense chases, dark humor, and stylistic flair, the trailer positions Richards as a defiant everyman fighting corrupt spectacle for survival and justice. Co-starring Josh Brolin, Colman Domingo, Michael Cera, and more, it’s a raw, faithful reboot of Stephen King’s novel with cinematic grit and commentary.
A bold young entrepreneur pushes back against toxic tech culture, turning her dismissal from Tinder into a feminist rallying cry—and a new dating app empowering women to make the first move.
The trailer introduces Whitney Wolfe Herd (Lily James) confronting pervasive misogyny at Tinder—unwanted explicit messages go unaddressed while her concerns are dismissed. Determined, she walks away and founds Bumble, revolutionizing online dating by giving women control. With sharp dialogue, tense boardroom confrontations, and moments of personal resolve, the trailer balances emotional urgency with the spark of innovation.
Two strangers, Sarah and David, meet at a wedding and embark on a fantastical, emotional journey—reliving moments from their pasts and possibly altering their futures through unexpected connection.
Based on synopsis themes of memory, connection, and transformation.
The trailer opens with Sarah (Margot Robbie) and David (Colin Farrell) meeting at a wedding, and then being mysteriously guided by David’s GPS to join a “big bold beautiful journey.” Together, they pass through doors that transport them to pivotal moments from their pasts, illuminating how they became who they are—and offering a surreal chance to reshape their futures. The tone is whimsical, visually rich, and emotionally resonant, underscored by Robbie and Farrell’s heartfelt performances and Kogonada’s dreamlike direction. Featuring magical realism and evocative visuals, the trailer teases a deeply hopeful, self-reflective romance.
A lonely American actor in Tokyo takes a surprising gig with a “rental family” agency—stepping into clients’ lives, only to discover genuine connection in the most unexpected roles.
The teaser presents Brendan Fraser’s character adrift in Japan, drawn into Tokyo’s enigmatic rental family industry. Cast as stand-in roles—father, husband, brother—he initially views these assignments as “just acting.” Yet, his relationships with the clients, especially a young girl named Mia, blur the lines between performance and emotional truth. The tone combines comedic warmth with heartfelt introspection, exploring how even a fabricated bond can hold real healing.
Dwayne Johnson undergoes a staggering physical and emotional transformation as MMA legend Mark Kerr, battling addiction and fame in a raw, immersive biographical drama.
The teaser opens with Johnson’s Mark Kerr sitting vulnerably in a doctor’s waiting room, reflecting on fighting with a soft-spoken “Absolutely not” when asked if opponents hate each other. Then come visceral fight sequences that contrast with intimate scenes: Kerr’s tense exchanges with his then-girlfriend Dawn (Emily Blunt), his climactic bout with fellow fighter Mark Coleman, and fleeting moments of tenderness—like signing an autograph and advising a fan against fighting. The trailer packs emotional weight behind a gritty aesthetic, showcasing Kerr’s highs, his personal pain, and the price of combat.
A lavish reimagining of Hedda Gabler in 1954, where Hedda’s party spirals into chaos—torn between a past lover, a crumbling marriage, and her own revulsion with repression.
The teaser opens on Hedda (Tessa Thompson), hosting a glamorous, opulent soirée. Under the veneer of refinement, suppressed desire, manipulation, and betrayal coil tightly. As Hedda reconnects with her former paramour Eileen (Nina Hoss), along with Eileen’s partner Thea (Imogen Poots), the party unravels into sultry decadence, dark impulses, and emotional havoc. With lush visuals, cutting dialogue, and a queer spin on Ibsen’s classic, the trailer pulses with stylistic intensity.
In a surreal afterlife, Joan must decide—within a week—whether to spend eternity with Larry, the man she built her life with, or Luke, her first love who died young and has waited decades for her.
The teaser unfolds in a poignant, liminal space where Joan (Elizabeth Olsen) wakes as an afterlife tenant confronted with an impossible romantic choice. Beside her stand Larry (Miles Teller), her devoted lifelong partner, and Luke (Callum Turner), her war-dead first love. Guiding her through this bittersweet decision are her afterlife coordinators—Anna (Da’Vine Joy Randolph) and Ryan (John Early)—who present the rules with dry humor. Delivered with emotional clarity and nostalgic charm, the trailer balances classic romantic elegance with whimsical fantasy. Quotable lines like “When eternity’s on the line, seems like nothing” deepen the emotional stakes.
A determined 1950s ping-pong hustler sets his sights on greatness—and isn’t letting anyone stop him, not even the skeptics or romance-filled distractions.
The teaser introduces Marty Mauser (Timothée Chalamet) rising from obscurity in mid-century New York’s underground ping-pong scene. With swagger and sincerity, he campaigns passionately for his sport’s recognition, even pitching a custom “Marty Supreme” ball. Along the way, he charms a glamorous movie star (Gwyneth Paltrow), navigates a love triangle, and confronts doubters—including a skeptical Kevin O’Leary—while flashes of intense gameplay and surreal energy punctuate his high-stakes rise. The trailer melds nostalgic style, rom-com intrigue, and Safdie’s signature kinetic tension, all set to Alphaville’s “Forever Young.”
A washed-up ex–baseball player’s life unravels in 1990s New York after he agrees to cat‑sit for his punk-rock neighbor—only to find himself ensnared in a violent, surreal criminal spiral.
The red-band trailer amps up the dark comedy and raw energy: Hank (Austin Butler), a former high school baseball phenom turned bartender, is asked to watch his neighbor’s cat. That simple favor launches him headfirst into a world of gangsters, drug lords, and betrayal. Set against the gritty backdrop of the East Village, the trailer is full of tension, blood, and chaotic humor, as Hank navigates bizarre twists—escaping attacks, uncovering hidden keys, and fighting for survival in a descent that feels both absurd and urgent. The tone is a frenetic blend of dark satire and thriller, driven by grounded performances and harsh, physical reality.
The Cinema group
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Entertainment News

Box Office: ‘Weapons’ Leads Quiet Labor Day With $12.4M as ‘Jaws’ Outswims ‘Caught Stealing’ and ‘The Roses’
Zach Cregger’s ‘Weapons’ wins Labor Day with $12.4M while Spielberg’s 50-year-old classic ‘Jaws’ beats Darren Aronofsky’s ‘Caught Stealing’ and Searchlight’s ‘The Roses.’ The holiday closes out a stagnant summer box office season.

‘After the Hunt’: What the Critics Are Saying About Luca Guadagnino’s Venice Drama
Luca Guadagnino’s After the Hunt starring Julia Roberts, Andrew Garfield, and Ayo Edebiri has divided critics at Venice, drawing praise for its performances but criticism for its ambiguity.
‘Springsteen: Deliver Me from Nowhere’ and ‘Ballad of a Small Player’ Emerge as Major Awards Contenders at Telluride
Jeremy Allen White channels Bruce Springsteen in Springsteen: Deliver Me from Nowhere while Colin Farrell spirals into addiction in Ballad of a Small Player at Telluride. Both films premiered to strong reactions and are already fueling early Oscar buzz.

Tom Waits Plays a Weird Reclusive Dad in Teaser for Jim Jarmusch’s ‘Father Mother Sister Brother’
Jim Jarmusch’s new anthology film Father Mother Sister Brother, starring Tom Waits, Cate Blanchett, Adam Driver, Charlotte Rampling, and Vicky Krieps, premieres at the Venice Film Festival before a December 24 release from Mubi.

IFC Center Celebrates 20th Anniversary With 20 Films for 20 Years
IFC Center marks its 20th anniversary with a two-part series, 20 Films for 20 Years, featuring works by David Lynch, Barry Jenkins, Bong Joon Ho, Julia Ducournau, and more. Screenings run Aug. 29–Oct. 2 in New York.

Luca Guadagnino Explains Woody Allen–Style Credits in ‘After the Hunt’ at Venice
At Venice, Luca Guadagnino explained why After the Hunt opens with Woody Allen–style credits, calling it both a homage to classic cinema and a provocation about how we reckon with controversial artists. Starring Julia Roberts, Ayo Edebiri, and Andrew Garfield, the Amazon MGM Studios drama opens Oct. 10.

‘The Roses’ Review: Benedict Cumberbatch and Olivia Colman Weaponize Wit in Jay Roach’s Stylish Marital Comedy
Benedict Cumberbatch and Olivia Colman headline Jay Roach’s The Roses, a reimagining of The War of the Roses. Stylish, sharp, and funny, the marital comedy entertains even if it lacks the final bite of its predecessor.

Here’s Who Won’t Be Returning for ‘SNL’ Season 51
Heidi Gardner, Devon Walker, Michael Longfellow, Emil Wakim, and writer Celeste Yim won’t return for SNL Season 51, marking one of the biggest cast shakeups in years.

George Clooney Brings Star Power (and a 10-Minute Ovation) to Venice with ‘Jay Kelly’
George Clooney powered through illness to attend the Venice premiere of Noah Baumbach’s Jay Kelly, where the Netflix dramedy earned a 10-minute standing ovation and early Oscar buzz.

Venice Film Festival 2025 In Photos: ‘La Grazia’ Opening Night, Red Carpet, Arrivals & More
The 82nd Venice Film Festival kicked off with Paolo Sorrentino’s La Grazia premiere and red-carpet arrivals from George and Amal Clooney, Emma Stone, Adam Sandler, and more.

TIFF Announces Awards and Juries for Its 50th Edition
TIFF’s 50th edition introduces new awards including the International People’s Choice Award and Short Cuts Animated Prize. Full list of juries and categories revealed ahead of the September 14 ceremony.

Taylor Sheridan’s ‘Landman’ Announces Season 2 Premiere Date
Taylor Sheridan’s hit series Landman returns for Season 2 on Paramount+ this November, with Billy Bob Thornton reprising his Golden Globe–nominated role and Sam Elliott joining the cast.

Inside the Secret NY ‘Caught Stealing’ Experience
A secret Brooklyn event turned into a gritty crime-themed party for Darren Aronofsky’s Caught Stealing, with Austin Butler, Matt Smith, Griffin Dunne, and Yuri Kolokolnikov leading fans through a night of chaos ahead of the film’s August 29 release.

Will Arnett Pursues Stand-Up Comedy in Trailer for Bradley Cooper’s ‘Is This Thing On?’
Bradley Cooper directs Will Arnett and Laura Dern in Is This Thing On?, a Searchlight drama-comedy about divorce, reinvention, and the courage to pursue stand-up. Premieres Dec. 19 after NYFF.

‘Caught Stealing’ Review: Austin Butler Stars in Darren Aronofsky’s Glossy Good Time of a Crime Caper
Austin Butler leads Darren Aronofsky’s Caught Stealing, a stylish, violent, and unexpectedly fun New York crime caper with standout turns from Zoë Kravitz, Regina King, and Vincent D’Onofrio. Sleek, pulpy, and unpredictable, this may be Aronofsky’s most commercial — and most entertaining — film yet.

Everything We Know About Jude Law and Jason Bateman’s New Series Black Rabbit
Netflix’s Black Rabbit stars Jude Law and Jason Bateman as brothers whose bond is tested in the cutthroat world of New York nightlife. Here’s everything we know about the new limited series.

Kathryn Bigelow’s A House of Dynamite Ignites Netflix’s Fall Slate
Kathryn Bigelow returns with A House of Dynamite, a tense military thriller starring Rebecca Ferguson and Idris Elba. The film premieres at Venice, hits theaters Oct. 10, and streams on Netflix Oct. 24.
Reviews
Benedict Cumberbatch and Olivia Colman headline Jay Roach’s The Roses, a reimagining of The War of the Roses. Stylish, sharp, and funny, the marital comedy entertains even if it lacks the final bite of its predecessor.
Austin Butler leads Darren Aronofsky’s Caught Stealing, a stylish, violent, and unexpectedly fun New York crime caper with standout turns from Zoë Kravitz, Regina King, and Vincent D’Onofrio. Sleek, pulpy, and unpredictable, this may be Aronofsky’s most commercial — and most entertaining — film yet.
‘Splitsville’ is a sharp, stylish comedy from Michael Angelo Covino and Kyle Marvin. Dakota Johnson and Adria Arjona headline a story of open relationships turned open warfare — a slap-in-the-face indie triumph with dazzling visuals, chaotic humor, and star power to spare.
Margaret Qualley delivers a career-defining performance in Ethan Coen’s Honey Don’t!, a neon-soaked detective thriller that pairs pulp absurdity with heartfelt emotion. Aubrey Plaza and Chris Evans round out a wildly entertaining cast.
John Cena returns in Peacemaker Season 2, a tighter, more emotional chapter that trades spectacle for character depth while cementing James Gunn’s series in the new DCU.
Amazon’s The Map That Leads to You pairs Madelyn Cline and KJ Apa in a postcard-pretty romance, but Lasse Hallström’s film struggles with shallow writing, tonal missteps, and a lack of emotional payoff.
Tony Tost’s ‘Americana,’ distributed by Lionsgate, stars Sydney Sweeney and Halsey in a bloody, ironic, and surprisingly heartfelt Western about survival, stolen legacies, and American desperation. In theaters August 15, 2025.
Vanessa Kirby delivers a raw, magnetic performance in Netflix’s Night Always Comes, a tense neo-noir from director Benjamin Caron about one woman’s all-night fight for survival in Portland.
Noah Hawley’s Alien: Earth grounds the franchise’s horror on our planet, delivering corporate intrigue, synthetic life dilemmas, and plenty of monster mayhem. Starring Sydney Chandler and Timothy Olyphant.
Julia Garner and Josh Brolin star in Zach Cregger’s Weapons, a visually stunning, chapter-driven horror mystery about a small town shattered by a mass disappearance.
Eddie Murphy, Pete Davidson, and Keke Palmer headline The Pickup, Tim Story’s offbeat heist comedy that blends sharp banter with high-speed chaos—uneven but entertaining.
Netflix’s 'Wednesday' Season 2 expands its mythos and cast, delivering rich gothic visuals and a strong lead performance from Jenna Ortega—but loses narrative clarity in the process.
Jamie Lee Curtis and Lindsay Lohan return for 'Freakier Friday,' a chaotic sequel that trades the original's heart and humor for overstuffed slapstick. Julia Butters and Sophia Hammons shine, but the film fumbles its nostalgic potential.
Taron Egerton and Ana Sophia Heger lead a brutal, emotional father-daughter thriller in 'She Rides Shotgun,' a raw and tender crime drama directed by Nick Rowland. Featuring powerful performances, emotional stakes, and explosive action, this Lionsgate release is one of the year’s most gripping surprises.
Discover the hidden clue in Bring Her Back that suggests Laura may have been drugging Andy all along. Explore the film’s dark secrets, psychological manipulation, and how one small moment changes everything in this chilling thriller.
Pete Davidson stars in 'The Home,' a haunted nursing-home horror from 'The Purge' creator James DeMonaco. Balancing supernatural chills with social commentary, the film explores trauma, memory, and the blurred lines between reality and delusion.
New Videos
As paradise spirals into paranoia, settlers on Floreana Island soon learn that humanity—not nature—is their greatest threat.
In this gripping clip, Ron Howard’s film zeroes in on the escalating tension among European settlers on a remote Galápagos island. Characters—including Friedrich (Jude Law), the seductive Baroness (Ana de Armas), and the Wittmers (Daniel Brühl & Sydney Sweeney)—navigate shifting alliances and psychological strain. Key moments hint at manipulative charm, suspicion, and subtle power plays, foreshadowing the unraveling of utopian aspirations into betrayal. The clip captures the film’s emotional stakes and grim beauty amid isolation.
An insecure former twin self-deprecatingly calls himself the “brightest tool in the shed,” underlining his fractured sense of worth and identity after his brother’s death.
In this emotionally raw clip, Roman (played by Dylan O’Brien), standing outside a therapist’s office, tries to reassure himself—or perhaps tougher critics—that “maybe I’m the brightest tool in the shed.” His anxious delivery and visible insecurity convey the film’s core themes: grief, self-doubt, and how male identity destabilizes without a twin. The moment blends awkward humor with poignant psychological insight, reflecting Twinless’ emotional compass.
Explore the world behind the cape as David Corenswet, Rachel Brosnahan, and Nicholas Hoult bring Superman, Lois Lane, and Lex Luthor to life—guided by James Gunn’s visionary reboot of the iconic heroes.
This exclusive behind-the-scenes feature gives viewers an intimate look at how the cast—Corenswet, Brosnahan, Hoult—and director James Gunn redefined these legendary figures. From suit fittings to intimate on-set moments, the clip highlights the care behind building Superman’s new identity, Lois’s modern edge, and Luthor’s chilling confidence. It includes lively interviews and character insights as the DCU gears up with cinematic flair and emotional depth.
Behind the ideal facade of Ivy and Theo Rose’s marriage lies an explosive legacy—rife with competition, resentment, and fierce parental rivalries.
This extended preview delves into the Rose family’s unraveling: Ivy (Olivia Colman) and Theo (Benedict Cumberbatch) give every impression of perfection, yet domestic bliss fractures under the pressures of ambition and parenthood. Their children—Josh and Evie—inherit the fallout: Josh enters a rocky marriage disrupted by something as trivial as missing Milky Way bars, while Evie struggles with overeating and emotional baggage. The tone is darkly comedic and layered with tension, illustrating how familial conflict and personal dissatisfaction can spiral into chaos.
August 2025 TV delivers a thrilling lineup: Jenna Ortega returns in Wednesday Season 2, plus spy dramas, animated misadventures, political thrillers, and swooning romance to revive summer streaming.
Wednesday – Season 2 (Part 1) (Netflix, Aug 6)
Wednesday returns to Nevermore Academy for darker family mysteries, psychic threats, and Steve Buscemi joining the cast.
My Oxford Year (Netflix, Aug 1)
A romance steeped in introspection, following an American scholar navigating love and identity at Oxford.
Fixed (Netflix, Aug 13)
A raunchy animated comedy by Genndy Tartakovsky, starring Adam Devine, Idris Elba, and Kathryn Hahn as a dog on a final pre-neutering spree.
Hostage (Netflix, Aug 21)
High-stakes political thriller centered around the kidnapping of the British Prime Minister’s spouse during a state visit to France.
Butterfly (Prime Video, Aug 13)
Spy drama featuring a retired U.S. agent drawn into timelines spanning from wartime Korea to modern-day espionage featuring Daniel Dae Kim.
Alien: Earth (Hulu/FX, Aug 12)
Sci‑fi horror returns to Earth, following alien threats and crashed spacecraft—kickstarting a new chapter in the franchise.
The Thursday Murder Club (Netflix, Aug 28)
A cozy mystery with Helen Mirren and Pierce Brosnan, as London retirees band together to solve a real murder case in their neighborhood.
King of the Hill – Season 14 (Hulu, Aug 4)
A long-awaited animated revival adding fresh chapters to the satirical world of Arlen, Texas.
Outlander: Blood of My Blood (Starz/MGM+, Aug 8)
A prequel exploring the early generations and love stories that shaped the Outlander universe, crossing 18th-century Scotland and WWI-era England.
My Life with the Walter Boys – Season 2 (Netflix, Aug 28)
A teen drama centered on a complex love triangle and season of self-discovery in Silver Falls.
This August, Disney+ expands with fresh Marvel animated adventures, real-life challenges featuring Chris Hemsworth, and nostalgic animated hits across the family palette.
Expect a rich mix of action, lifestyle, animation, and true events:
Eyes of Wakanda (Aug 1 on Disney+)
A four-part Marvel animated anthology (Phase Six), following elite Wakandan warriors called the Hatut Zaraze as they retrieve vibranium across history—with ties to the MCU’s sacred timeline. Produced by Ryan Coogler.
Limitless: Live Better Now (Aug 15)
Chris Hemsworth undertakes adrenalin-fueled endurance challenges—drumming in arenas, scaling frozen cliffs—to explore longevity, mental resilience, and peak human condition. All episodes drop at once.
LEGO Disney Princess: Villains Unite (Aug 25)
Gaston leads a team of classic Disney villains—including Ursula and Jafar—against an alliance of princesses in a comedic animated special.
The Proud Family: Louder and Prouder – Season 3 (Aug 6)
The beloved animated series returns with new international stories, key celebrity voice cameos, and culturally rich narratives.
Marvel’s Iron Man and His Awesome Friends (Aug 12 on Disney Jr., Aug 13 on Disney+)
A preschool-action spin-off featuring young Tony Stark, Riri Williams, and Amadeus Cho saving the day in animated adventures.
Plus: New family programming including Disney Jr.’s Ariel, “Outdoor Adventure Stream,” lifestyle content like Rachael Ray’s Holidays, holiday films like Radio Christmas, and kids’ titles such as SuperKitties.
Prime Video’s August lineup kicks off August 6 with the Eddie Murphy–Pete Davidson caper The Pickup, and builds to a dramatic crescendo on August 27 with the origin-filled espionage thriller The Terminal List: Dark Wolf.
Prime Video’s August slate blends comedy, sports, drama, and espionage. Highlights include:
The Pickup (Aug 6): A messed-up heist comedy where two armored-truck drivers get caught in a criminal plot—featuring Eddie Murphy, Pete Davidson, and Keke Palmer.
Built in Birmingham: Brady & the Blues (Aug 1): A docuseries examining Tom Brady’s role in reshaping a football club’s legacy.
Taurasi (Aug 7): A five-part documentary charting Diana Taurasi’s record-breaking basketball career.
Butterfly (Aug 13): A six-episode spy thriller that twists timelines and allegiances in a political web.
Upload Season 4 (Aug 25): The sci-fi dramedy concludes its world-spanning digital apocalypse narrative.
The Terminal List: Dark Wolf (Aug 27): A prequel tracing Ben Edwards’ journey to CIA operative, starring Taylor Kitsch, Chris Pratt, and Tom Hopper.
Apple TV+ lights up August 2025 with a bold mix: Jason Momoa’s epic Chief of War, the return of Platonic Season 2, and the sci-fi tension of Invasion Season 3—plus fresh kids’ and animated favorites.
The official Apple TV+ preview showcases a powerful lineup launching in August. Leading the charge is Chief of War, co-created and starring Jason Momoa, chronicling the unification of the Hawaiian Islands through the eyes of warrior Ka‘iana (Momoa) with dialogue in Hawaiian, lush visuals, and an authentic Polynesian cast. Set to premiere August 1 with weekly episodes.
Platonic Season 2 returns August 6—Seth Rogen and Rose Byrne continue decoding midlife friendship with added depth and new comedic players.
Then on August 22, Invasion Season 3 premieres, pitting humanity against a full-scale alien assault, told through global voices and personal pain. The preview also teases three more August titles: Stillwater Season 4 (Aug 1), Snoopy Presents: A Summer Musical (Aug 15), and Shape Island Season 2 (Aug 29), offering something for all ages and tones.
Tom Holland returns as Spider‑Man in a fresh start—Brand New Day delivers a sleek suit reveal and a grounded reboot of the MCU hero, hitting theaters July 31, 2026.
A nine-second teaser dropped on Spider‑Man Day, offering a shadowed but tantalizing glimpse of Spider‑Man’s new suit: deep red with raised black webbing, harking back to comic-book classicism. The short footage doesn’t reveal plot details but signifies a tonal reset—moving from multiverse chaos to a more street-level, character-driven journey. Back in Scotland (standing in for New York), filming is underway as part of a major $150 million production. Also confirmed in the cast: the Punisher (Jon Bernthal’s cinematic debut in MCU), with Zendaya, Jacob Batalon, Sadie Sink, and Liza Colón-Zayas among others.
Brad Pitt hits the track in the making of F1: The Movie, a pulse-pounding look inside the speed, precision, and pressure of Formula 1 racing.
Apple TV+ has released a new behind-the-scenes video for F1: The Movie, spotlighting the extraordinary effort behind this year’s most ambitious racing drama. Titled “75 Live,” the featurette gives fans an inside look at how director Joseph Kosinski (Top Gun: Maverick) and producer Jerry Bruckheimer brought real Formula 1 action to life—starring Brad Pitt and Damson Idris.
Filmed during actual Grand Prix weekends and in collaboration with F1 teams, the project is a landmark fusion of live racing and scripted drama. The crew built a fictional team—APXGP—that competes alongside real racers, with Pitt playing a retired driver returning for one last shot at the grid. Idris plays his young teammate, with Lewis Hamilton onboard as a producer to ensure authenticity.
The “75 Live” footage reveals never-before-seen shots of Pitt in full racing gear, high-speed track sequences, and pit lane logistics—all designed to make audiences feel like they’re in the cockpit. With IMAX cameras capturing the velocity and scale, this film promises an immersive look at one of the world’s most elite sports.
F1: The Movie is set to debut in theaters first before streaming on Apple TV+.
NEON’s Together reimagines memory through still frames, weaving a photo album into a moving portrait of love and loss.
NEON has released the official photo album trailer for TOGETHER, a quietly powerful drama from director Andrew Haigh. Presented as a visual scrapbook, the trailer unfolds through carefully curated still photographs that chronicle a relationship’s most intimate and transformative moments. Rather than traditional narration, it relies on the power of imagery to tell the story.
Starring Dave Franco and Alison Brie, TOGETHER follows a couple as they reflect on the evolution of their love—through joy, heartbreak, and everything in between. The trailer’s restrained, emotive tone suggests a film rooted in the complexities of human connection and the impermanence of time. With a haunting score and tactile visual language, TOGETHER is poised to be one of NEON’s most emotionally resonant releases.
Opening in theaters July 30, the film joins NEON’s growing slate of bold, character-driven storytelling.
Discover unexpected films at Tribeca 2025, including Just Sing and Paradise Records—plus one title that took everyone by surprise.
Join us as we explore the hidden gems of Tribeca 2025 in this exclusive behind-the-scenes look at the festival’s most compelling films. From the genre-defying musical Just Sing to the emotionally charged Paradise Records, we examine what makes these titles stand out in a crowded lineup. But there’s one more film—a surprise discovery—that completely flew under our radar until now.
We also dive into the cultural heartbeat of New York City and how its energy continues to inspire new voices in storytelling. With nods to artists like Logic and the cinematic legacy of the city itself, the video celebrates Tribeca’s role as a nexus of film, music, and creative fusion. Founded by Robert De Niro, Jane Rosenthal, and Craig Hatkoff, the festival remains a champion of diverse, independent voices—offering not just premieres, but new perspectives.
The opening minutes of Superman (2025) reveal a grounded, emotionally resonant Clark Kent—establishing the film’s heart before it takes flight.
The first official clip from Superman (2025) has arrived, offering fans their initial full-scene glimpse into James Gunn’s highly anticipated DC Universe reboot. The clip, which features David Corenswet as Clark Kent, is a quiet, contemplative moment—marking a tonal shift from previous Superman films. Set in Smallville, the scene opens with Clark walking alone through the golden Kansas fields before heading into Metropolis, newspaper in hand.
Rather than starting with a superpowered spectacle, Gunn chooses restraint, leaning into warmth, nostalgia, and Americana. With gentle lens flares, slow dolly shots, and natural light, the cinematography underscores the story’s emotional weight. Lois Lane (Rachel Brosnahan) is teased through a voiceover at the Daily Planet, while John Murphy’s subtle score gives the moment a mythic resonance without overwhelming the human element.
This is Superman as Gunn promised—noble, introspective, and rooted in identity rather than invincibility. If the opening scene is any indication, Superman (2025) may succeed in marrying the emotional clarity of Man of Steel with the sincerity and optimism fans have long hoped to see restored.
The new featurette for Superman (2025) showcases how James Gunn’s reboot was crafted with IMAX in mind—promising a superhero epic shot for the biggest screen possible.
Warner Bros. has released a behind-the-scenes look at Superman (2025) titled “Filmed for IMAX®,” giving fans their most immersive peek yet at the scale and ambition behind James Gunn’s DC Universe relaunch. Designed to be experienced in full IMAX 1.90:1 aspect ratio, the footage features sweeping set pieces, towering practical builds, and first glimpses of Superman in flight across expansive American landscapes.
Director James Gunn narrates portions of the video, underscoring his commitment to grounding the film’s spectacle in emotion and character. “We didn’t just want the action to be big,” Gunn says, “we wanted it to feel big—to mean something.” The featurette includes production shots of David Corenswet suited up as Superman, Rachel Brosnahan as Lois Lane, and Nicholas Hoult as Lex Luthor, hinting at the dynamic interplay between hero, journalist, and villain that defines the heart of the film.
The IMAX footage emphasizes natural lighting, large-scale sets, and vivid contrast between Clark Kent’s Kansas roots and the grandeur of his Kryptonian heritage. From cornfields to craters, and newsroom interiors to planetary transmissions, every detail feels constructed to immerse audiences in both myth and intimacy.
The clip ends with Gunn and the crew watching playback on towering IMAX monitors, visibly proud of the visual depth they’re delivering. It’s clear Superman is not just a film—it’s an event calibrated for maximum theatrical impact.
A haunting new clip from Superman (2025) delves into the mythic scale of Kal-El’s origin, teasing the emotional weight of his destiny.
In the latest official clip from James Gunn’s Superman, titled “Knowledge Is Worth Many Sacrifices,” the film pivots away from the grounded realism of its previous teasers to explore Krypton’s haunting legacy. Through a holographic message or recovered memory, Kal-El (David Corenswet) receives a solemn transmission from a Kryptonian elder—likely Jor-El—delivering a poetic warning about sacrifice, heritage, and the cost of wisdom.
Visually drenched in solemn light and alien iconography, the clip leans into the grandeur of Superman’s origins, contrasting the emotional intimacy of Clark Kent’s Earth-bound life with the epic magnitude of his galactic lineage. Corenswet’s silent performance—anchored in awe and grief—emphasizes the film’s dual emotional register: intimate character drama and mythological sci-fi.
As composer John Murphy’s score swells beneath the narration, the scene echoes the classic tones of Man of Steel and Superman: The Movie, while signaling a more philosophical and emotionally complex approach to the Superman mythos. It’s a stirring look at what’s shaping up to be a deeply personal yet universally resonant superhero epic.
James Gunn’s Superman continues to tease its character-driven core with a tense, grounded exchange from the latest official clip.
A new clip from Superman (2025), titled “Keep An Eye On Him,” has been released, offering a sharp, dialogue-heavy moment that underscores the film’s tonal balance between human stakes and heroic mythology. The scene centers on Clark Kent (David Corenswet) navigating his dual identity while under the wary gaze of law enforcement and federal authorities—hinting at larger tensions between Superman and the institutions meant to protect the world.
Set in a drab government corridor, the clip favors subtle tension over spectacle. Characters exchange loaded glances and clipped dialogue, suggesting that Superman’s arrival hasn’t unified the world—it’s split it. Corenswet’s performance exudes quiet intensity, reinforcing James Gunn’s commitment to portraying Kal-El as both alien and painfully human.
This brief but effective scene continues to support what early looks have promised: a Superman story that blends idealism with realism, and action with internal conflict. With its July 2025 release date drawing closer, anticipation is soaring for the first chapter in DC Studios’ new cinematic universe.
Marvel Studios offers a grounded and intimate preview of its highly anticipated reboot with a quiet family moment around the dinner table.
Marvel Studios has released the first official clip from The Fantastic Four: First Steps, offering fans an unexpected look into the emotional core of the upcoming reboot. Titled “Sunday Dinner,” the scene finds the newly formed team—Reed Richards (Pedro Pascal), Sue Storm (Vanessa Kirby), Johnny Storm (Joseph Quinn), and Ben Grimm (Ebon Moss-Bachrach)—sharing a rare moment of calm amid the chaos of their evolving powers and responsibilities.
Set against the backdrop of a quiet evening in the Baxter Building, the clip is more intimate than action-packed, centering on familial chemistry and subtle character beats. Pascal’s Reed anchors the scene with contemplative authority, while Kirby’s Sue provides warmth and resolve. Johnny’s irreverence and Ben’s dry wit round out the dynamic, reminding viewers that this isn’t just a superhero squad—it’s a makeshift family learning to navigate their new reality.
The subdued tone suggests director Matt Shakman (WandaVision) is leaning into emotional storytelling and character development, promising a version of the Fantastic Four that prioritizes interpersonal stakes alongside cosmic spectacle. The film hits theaters July 25, with expectations sky-high for this long-awaited MCU entry.
Mike Flanagan adapts Stephen King’s experimental novella with surprising warmth in this first official scene.
From acclaimed horror filmmaker Mike Flanagan (The Haunting of Hill House, Doctor Sleep) comes an emotional new adaptation of Stephen King’s The Life of Chuck, starring Tom Hiddleston and Mark Hamill. This official clip offers a first look at the film’s unconventional tone—far from typical King terror, the story unfolds in reverse chronology, beginning with Chuck’s death and tracing his life back through moments of joy, mystery, and loss. The scene, set in an eerie yet oddly tender world, showcases Flanagan’s ability to infuse metaphysical themes with human intimacy.
The adaptation stitches together three seemingly disparate vignettes that eventually coalesce into a portrait of life, death, and cosmic significance. With evocative cinematography, melancholic undertones, and performances that straddle surrealism and sincerity, this clip gives audiences an early taste of a film that promises to be one of the most ambitious King adaptations to date.
Danny Boyle trades traditional gear for Apple tech in 28 Years Later, shot entirely on iPhone 15 Pro Max.
In this behind-the-scenes featurette, 28 Years Later director Danny Boyle breaks down the bold visual decision to shoot much of the film on the iPhone 15 Pro Max. Blending real-world chaos with cinematic finesse, the choice created a sense of immediacy, intimacy, and unpredictability—echoing the energy of 28 Days Later while modernizing the aesthetic for a new generation. Through handheld realism, low-light experimentation, and subtle post-production refinement, How It Hitsdives into how mobile filmmaking shaped the sequel’s visceral tone and redefined what’s possible for major motion pictures.
Prime Video unveils its stacked July 2025 slate, packed with premieres, cult hits, and award contenders.
From explosive action to prestige dramas, Prime Video’s July 2025 lineup is a curated blend of crowd-pleasers and hidden gems. Highlights include the long-awaited streaming debut of Saltburn, the psychological crime series Dark Wolf: Terminal List, and Ari Aster’s political slow-burn Eddington. New Amazon Originals, returning fan-favorites, and a spotlight on global cinema round out the platform’s diverse offering. Whether you’re in the mood for romance, thrills, or thoughtful indie fare, there’s something new every week to stream this July on Prime Video.
Joaquin Phoenix and Pedro Pascal lead Ari Aster’s politically charged pandemic Western in this haunting first look.
A24 unveils the first official footage from Eddington, Ari Aster’s genre-defying new film set at the onset of the COVID-19 pandemic. Set in the arid isolation of New Mexico, the story centers on Sheriff Joe Cross (Joaquin Phoenix), a measured enforcer of public health mandates, and Mayor Ted Garcia (Pedro Pascal), a defiant populist whose rhetoric fractures the already tense town. Emma Stone plays Louise Cross, Joe’s conflicted wife, while Austin Butler delivers a chilling performance as cult leader Vernon Jefferson Peak, injecting spiritual extremism into an already divided community. With cinematography by Darius Khondji and a score by Bobby Krlic and Daniel Pemberton, Eddingtoncaptures the paranoia, power plays, and moral erosion of a nation in crisis.
Interviews
At Venice, Luca Guadagnino explained why After the Hunt opens with Woody Allen–style credits, calling it both a homage to classic cinema and a provocation about how we reckon with controversial artists. Starring Julia Roberts, Ayo Edebiri, and Andrew Garfield, the Amazon MGM Studios drama opens Oct. 10.
During a joint Variety interview, Oscar Isaac and Jacob Elordi appear emotionally distant—intentional tension or simply editing? Their dynamic may echo Guillermo del Toro’s thematic reimagining of Frankenstein.
From war-torn Vovchansk to global arenas, Artem Pivovarov brings his powerful message of resilience and Ukrainian culture to North America this fall with ORCHESTRA LIVE.
Quentin Tarantino explains why he passed on directing Netflix’s Once Upon a Time in Hollywood follow-up, praising David Fincher’s involvement, scrapping The Movie Critic, and teasing his 10th and final film.
Tom Cruise reportedly turned down President Donald Trump’s offer to be honored at the 48th Kennedy Center Honors, citing scheduling conflicts. Instead, the actor will receive an honorary Oscar at this year’s Governors Awards.
Apple TV+’s Mr. Scorsese, a five-part documentary premiering October 17, offers rare access to Martin Scorsese’s private archives, candid stories from collaborators, and behind-the-scenes insight into his legendary career.
Cote de Pablo turned down an intimacy coordinator for 'NCIS: Tony & Ziva,' citing deep trust with co-star Michael Weatherly. The Paramount+ spin-off premieres Sept. 3, reuniting the fan-favorite duo for a series that blends action, romance, and their iconic chemistry. Here's what they had to say about filming together again.
Ryan Gosling, Phil Lord, and Christopher Miller reveal first footage of Amazon MGM’s sci-fi epic 'Project Hail Mary' at San Diego Comic-Con, blending laughs, emotion, and space survival ahead of its March 2026 release.
Former Thing actor Michael Chiklis shares his support for the cast of The Fantastic Four: First Steps, Marvel’s 1960s-set reboot starring Pedro Pascal, Vanessa Kirby, Joseph Quinn, and Ebon Moss-Bachrach. Directed by Matt Shakman, the film opens in theaters July 25.
James Gunn celebrates the global success of Superman after a $217M debut. The DC Studios co-head reflects on audience response and his film’s focus on humanity over spectacle.
The new film The Prince features Scott Haze as a troubled political heir caught in scandal and addiction. With a screenplay by David Mamet and a cast including Nicolas Cage and J.K. Simmons, many are calling it a Hunter Biden allegory—but the filmmakers say otherwise.
In a Hot Ones interview, Dakota Johnson called out Hollywood’s reliance on remakes and risk-averse decision-making. Her honest comments reflect growing industry concerns about originality and creative stagnation.
Colin Farrell, Dave Chappelle, Arnold & Patrick Schwarzenegger, and Parker Posey headline Season 22 of Actors on Actors. The Emmy-season interview series returns with bold, raw conversations between the year’s most buzzed-about talent. Here’s what to expect from this season’s powerhouse lineup.
Ahead of her Tribeca premiere, Miley Cyrus explains why Something Beautiful is coming to theaters instead of a stage—and how Harrison Ford helped her rethink her entire tour plan.
Robert De Niro used his Cannes honorary Palme d’Or speech to denounce Trump, defend democracy, and call on artists to fight back against cultural authoritarianism.
Lana Love, a real singer who auditioned for a fake HBO show created by Nathan Fielder, says she feels betrayed after learning it was all for The Rehearsal. Read her full story.
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Zach Cregger’s ‘Weapons’ wins Labor Day with $12.4M while Spielberg’s 50-year-old classic ‘Jaws’ beats Darren Aronofsky’s ‘Caught Stealing’ and Searchlight’s ‘The Roses.’ The holiday closes out a stagnant summer box office season.