The trailer opens with Jem Stoker (Sean Bean) leaving suburban life to find his brother Ray (Daniel Day-Lewis), who has lived isolated in the woods for decades. Their reunion is charged with years of unspoken trauma. There are flashes of a haunting past—gunfire, cryptic childhood drawings, dead creatures—imbalanced by tender moments that suggest longing, guilt, and the possibility of healing. Co-written by father and son, and directed by Ronan Day-Lewis in his debut, the film explores generational violence, estrangement, and emotional reckoning.

The trailer ramps up the spectacle: Jesse Eisenberg, Woody Harrelson, Dave Franco, and Isla Fisher are back as the original Horsemen, this time mentoring young illusionists Justice Smith, Ariana Greenblatt, and Dominic Sessa. Meanwhile, Veronika Vanderberg (Rosamund Pike), a ruthless heiress with ties to arms dealers and criminal networks, emerges as their adversary. Scenes of deception, illusion, and elaborate heists interlace with moments of tension: the original magicians’ legacy challenged by flashy tricks, dangerous gambits, and betrayal. The tone is slick, ambitious, with lots of twists and global scale.

The trailer opens on chaos: President Rayburn has died — and Grace Penn (Allison Janney), formerly VP, is now President. Kate Wyler (Keri Russell), Ambassador to the UK, warns that Grace is “terribly flawed” and may make a catastrophic mistake. Mixed in are revelations: the deceased president was on the phone with Kate’s husband at his moment of death, raising suspicions. Kate, initially plotting against Grace, may find that getting what she wanted brings nightmare consequences. Tensions run high in Washington and London as alliances shift, secrets loom, and personal and political stakes climb.

The trailer intensifies the harrowing true story of the 2018 Camp Fire, showing Kevin McKay (Matthew McConaughey) answering the call to rescue a teacher (America Ferrera) and her students trapped by encroaching flames. The inferno closes in, communications fail, and every mile becomes a battle. Scenes of urgency, smoke-choked roads, emotional reunions, and desperate action amplify the stakes. McKay’s resolve is tested—and as the inferno threatens everything, the trailer juxtaposes human courage with natural disaster in wrenching fashion.

The trailer introduces Ben Richards, a working-class father confronted with medical bills and no work—as society crumbles around him. In a dystopian near-future, he’s recruited by producer Dan Killian to become a “Runner” on the brutal show The Running Man, where contestants must survive being hunted by professional assassins for 30 days. As Richards is thrust into the spotlight, scenes of disguise, chase, betrayal, and floated cameras capture how spectacle, desperation, and resistance collide. The tone is an Edgar Wright mix of high tension, grim humor, and dystopian spectacle.

The trailer follows Doug (Jack Black) and Griff (Paul Rudd), longtime pals who decide to remake their childhood favorite film Anaconda. They gather a crew, head into the Amazon, but chaos ensues when the real danger appears: a giant anaconda, unexpected financing chaos, snake rentals gone wrong, and survival suddenly becomes more than just art. The mood shifts fast from comedy about midlife crises to action-horror as what was supposed to be fun becomes a fight for life. The trailer leans into meta humor, creature threats, and absurd situations wrapped in jungle adventure.

The trailer follows Sydney Sweeney’s transformation into boxing icon Christy Martin, showing her early triumphs in West Virginia and her growing reputation under the guidance of her trainer-turned-husband Jim (Ben Foster). Scenes of intense training, early victories, and public acclaim are juxtaposed with escalating personal conflict, including emotional abuse and the shocking 2010 attack that nearly ended her life. Grit, blood, and perseverance dominate as Christy fights to reclaim her identity inside and outside the ring. Premiere at TIFF; opens in theaters November 7, 2025. 

The teaser for Wake Up Dead Man: A Knives Out Mystery reveals Daniel Craig’s Benoit Blanc diving into a new, nearly metaphysical murder case set against a haunting church backdrop. Set to debut in select theaters on November 26 before streaming globally on Netflix December 12, this third chapter in Rian Johnson’s franchise trades sunny islands for stone chapels and confessions.

The story follows the sudden, inexplicable death of a charismatic priest (Josh O’Connor), whose demise inside a sealed concrete box defies logic. As Blanc narrates the “myth being constructed,” the footage hints at a darker tone, mixing spiritual intrigue with razor-sharp genre flair. With an ensemble that includes Glenn Close, Josh Brolin, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeny, and Thomas Haden Church, the mystery unfolds within a tight-knit religious community, all hiding secrets. A murder with no visible killer? Sounds like just the case for Benoit Blanc.

Rian Johnson again writes and directs, joined by longtime producing partner Ram Bergman. With a logline teasing deception in the pews and a case that seems impossible on the surface, Wake Up Dead Man aims to push the franchise into its darkest territory yet.

The official trailer captures the eerie and lyrical tone of del Toro’s long-awaited adaptation. Oscar Isaac portrays Victor Frankenstein, while Jacob Elordi appears in striking makeup as the Creature, humanized rather than grotesque. Atmospheric showcase moments include their fateful encounter, moments of isolation, and emotional improvisation rather than shock. The imagery is hauntingly beautiful—lush, operatic, and intensifying character depth over terror.

The teaser follows Simon (Brett Goldstein) and Laura (Imogen Poots), college best friends whose relationship falters after she takes a scientific test intended to reveal her true soulmate. Despite being excluded, Simon remains emotionally tethered to her. Over time, as their paths diverge and cross again, flashpoints reveal moments of longing, regret, and enduring connection. The trailer balances heartfelt intimacy and sci-fi poignancy, with chemistry that echoes classic romantic dilemmas. Written and directed by William Bridges alongside Goldstein, it threads humor, heartbreak, and emotional truth across time.

The teaser introduces Alex (Will Arnett) and Tess (Laura Dern), a married couple quietly unraveling while trying to maintain family stability. Alex, grappling with the emptiness of middle age, seeks solace and reinvention in New York’s stand-up comedy scene. Tess wrestles with her own sacrifices and evolving role. Their paths converge through candid humor, inner vulnerability, and subtle emotional fractures that interrogate what it means to grow apart—and potentially grow again. The tone fuses introspection with gentle comedy, anchored by empathetic performances and Bradley Cooper’s tender direction.

Edgar Wright’s fast-paced teaser thrusts Glen Powell into a dystopian near-future where society’s collapse has birthed a deadly televised spectacle. Desperate and blacklisted, Richards signs up for The Running Man, a brutal game where he must evade hunters for 30 days on live broadcast. With intense chases, dark humor, and stylistic flair, the trailer positions Richards as a defiant everyman fighting corrupt spectacle for survival and justice. Co-starring Josh Brolin, Colman Domingo, Michael Cera, and more, it’s a raw, faithful reboot of Stephen King’s novel with cinematic grit and commentary.

The trailer introduces Whitney Wolfe Herd (Lily James) confronting pervasive misogyny at Tinder—unwanted explicit messages go unaddressed while her concerns are dismissed. Determined, she walks away and founds Bumble, revolutionizing online dating by giving women control. With sharp dialogue, tense boardroom confrontations, and moments of personal resolve, the trailer balances emotional urgency with the spark of innovation.

The trailer opens with Sarah (Margot Robbie) and David (Colin Farrell) meeting at a wedding, and then being mysteriously guided by David’s GPS to join a “big bold beautiful journey.” Together, they pass through doors that transport them to pivotal moments from their pasts, illuminating how they became who they are—and offering a surreal chance to reshape their futures. The tone is whimsical, visually rich, and emotionally resonant, underscored by Robbie and Farrell’s heartfelt performances and Kogonada’s dreamlike direction. Featuring magical realism and evocative visuals, the trailer teases a deeply hopeful, self-reflective romance.

The teaser presents Brendan Fraser’s character adrift in Japan, drawn into Tokyo’s enigmatic rental family industry. Cast as stand-in roles—father, husband, brother—he initially views these assignments as “just acting.” Yet, his relationships with the clients, especially a young girl named Mia, blur the lines between performance and emotional truth. The tone combines comedic warmth with heartfelt introspection, exploring how even a fabricated bond can hold real healing.

The teaser opens with Johnson’s Mark Kerr sitting vulnerably in a doctor’s waiting room, reflecting on fighting with a soft-spoken “Absolutely not” when asked if opponents hate each other. Then come visceral fight sequences that contrast with intimate scenes: Kerr’s tense exchanges with his then-girlfriend Dawn (Emily Blunt), his climactic bout with fellow fighter Mark Coleman, and fleeting moments of tenderness—like signing an autograph and advising a fan against fighting. The trailer packs emotional weight behind a gritty aesthetic, showcasing Kerr’s highs, his personal pain, and the price of combat.

The teaser opens on Hedda (Tessa Thompson), hosting a glamorous, opulent soirée. Under the veneer of refinement, suppressed desire, manipulation, and betrayal coil tightly. As Hedda reconnects with her former paramour Eileen (Nina Hoss), along with Eileen’s partner Thea (Imogen Poots), the party unravels into sultry decadence, dark impulses, and emotional havoc. With lush visuals, cutting dialogue, and a queer spin on Ibsen’s classic, the trailer pulses with stylistic intensity.

The teaser unfolds in a poignant, liminal space where Joan (Elizabeth Olsen) wakes as an afterlife tenant confronted with an impossible romantic choice. Beside her stand Larry (Miles Teller), her devoted lifelong partner, and Luke (Callum Turner), her war-dead first love. Guiding her through this bittersweet decision are her afterlife coordinators—Anna (Da’Vine Joy Randolph) and Ryan (John Early)—who present the rules with dry humor. Delivered with emotional clarity and nostalgic charm, the trailer balances classic romantic elegance with whimsical fantasy. Quotable lines like “When eternity’s on the line, seems like nothing” deepen the emotional stakes.

The teaser introduces Marty Mauser (Timothée Chalamet) rising from obscurity in mid-century New York’s underground ping-pong scene. With swagger and sincerity, he campaigns passionately for his sport’s recognition, even pitching a custom “Marty Supreme” ball. Along the way, he charms a glamorous movie star (Gwyneth Paltrow), navigates a love triangle, and confronts doubters—including a skeptical Kevin O’Leary—while flashes of intense gameplay and surreal energy punctuate his high-stakes rise. The trailer melds nostalgic style, rom-com intrigue, and Safdie’s signature kinetic tension, all set to Alphaville’s “Forever Young.”

The red-band trailer amps up the dark comedy and raw energy: Hank (Austin Butler), a former high school baseball phenom turned bartender, is asked to watch his neighbor’s cat. That simple favor launches him headfirst into a world of gangsters, drug lords, and betrayal. Set against the gritty backdrop of the East Village, the trailer is full of tension, blood, and chaotic humor, as Hank navigates bizarre twists—escaping attacks, uncovering hidden keys, and fighting for survival in a descent that feels both absurd and urgent. The tone is a frenetic blend of dark satire and thriller, driven by grounded performances and harsh, physical reality.

The teaser follows Jeffrey Manchester (Channing Tatum), a former Army Ranger and struggling father, as he embarks on a bizarre crime spree—robbing McDonald’s restaurants by cutting through their roofs. After escaping prison, he hides undetected inside a Toys “R” Us for six months. His covert life starts to unravel when he falls for Leigh (Kirsten Dunst), a divorced mom drawn to his charm. The double life heats up into a compelling mix of suspense, heartbreak, and unexpected connection. This film is directed by Derek Cianfrance and adapts the unbelievable true story of the rooftop robber.