The teaser opens with somber tones and courtroom imagery as psychiatrist Douglas Kelley is sent to evaluate Nazi war criminals—most notably Hermann Göring. What begins as professional duty spirals into tension: Kelly and Göring engage in a chilling mental duel behind prison bars, as prosecution led by chief prosecutor Robert H. Jackson ramps up. With brief but powerful visuals, the trailer underscores themes of justice, evil’s banality, and moral reckoning. It’s framed with urgency: “The world will bear witness…” signaling the scale and stakes of one of history’s defining trials.

The trailer introduces Lily and Sam, young twins living with their widowed father Malcolm on an isolated homestead. After discovering an arcane spellbook in the cellar, the siblings begin questioning their mother’s mysterious death and whether their father harbors supernatural ties. Atmospheric visuals—mist-shrouded woods, flickering lanterns, shadowy interiors—evoke haunting folklore and slow-burn dread. As Lily’s emerging psychic abilities awaken, tension grows: their journey into the unknown becomes a confrontation with grief, family secrets, and the unexplainable. Few words, but a palpable unease pervades the cinematic tone.

The teaser introduces Daisy Moriarty, a content moderator (Lili Reinhart), whose days are spent blinking through flag queues and disturbing clips. When she encounters a video she believes contains real violence—not merely staged fetish content—her obsession pushes her past company rules. As she investigates unsanctioned leads, the psychological toll of moderating the darkest corners of the internet becomes deadly. Stuck between professional quotas and personal justice, she must decide: is holding someone accountable worth risking everything? The tone is minimalist yet haunting—a morality play set in the digital underworld.

The trailer introduces Roman (Dylan O’Brien) navigating the aftermath of his identical twin’s death, haunted by grief and identity loss. At a bereavement support group, he meets Dennis (James Sweeney), another twin survivor. Their friendship blossoms into intense dependency, offering solace—but when Roman meets Dennis’ coworker Marcie (Aisling Franciosi), unsettling secrets surface.

A tonal shift mid-trailer reveals the story’s unexpected layers—a Hitchcockian edge emerges amid awkward humor, identity complexity, and emotionally raw revelations. Themes of masculinity, trauma, and connection are explored with both discomfort and empathy. The filmmaking is emotionally precise, surprising, and darkly funny. Viewed at Sundance, where Twinless won the Audience Award and O’Brien earned a Special Jury acting prize, the film impressed critics with its daring emotional honesty and sharp framing.

The trailer brings us jaw‑dropping close-ups of Edie behind the wheel—an ex-con turned driver-for-hire—when an unscrupulous ex-employer offers her one last job: a casino heist to save her ex-boyfriend’s life. John, her chronically unreliable ex, is drowning in debt to crime boss Nico, played by Andy Garcia. With $3 million at stake, Edie teams with John and a crew, including Randall Park and Marshawn Lynch, in a high‑octane chase across cities. Expect gritty humor, tense camaraderie, and a wickedly stylized tone punctuated by bloody violence, adult language, and chaotic action.

The trailer reveals Joan in a surreal afterlife realm known as “the junction,” where she has just one week to decide where—and with whom—she will spend eternity. Waiting are Larry, the man she built her life with (Miles Teller), and Luke, her first love who died young but has waited decades for her arrival (Callum Turner). Afterlife coordinators Anna (Da’Vine Joy Randolph) and Ryan (John Early) humorously guide her through the rules. A blend of wit and poignancy unfolds as Joan reconnects with Luke’s lingering romance and wrestles with the one she shared a lifetime with, charting a decision both timeless and emotionally charged.

Tony investigators interrogate Amanda in intense scenes recreating the infamous 2007 interrogation, exposing relentless media scrutiny and cultural bias. Through tense courtroom drama and flashbacks of college life in Perugia, the trailer explores how a study abroad turned into a global nightmare. Amanda, portrayed by Grace Van Patten, revisits painful memories and legal battles with emotional clarity, charting a 16-year pursuit of justice. The teaser highlights the investigation’s flaws, her eventual acquittal by Italy’s highest court in 2015, and her later work as an advocate for the wrongfully convicted. Amanda Knox collaborated closely as executive producer to reclaim the narrative and underscore broader themes of empathy, identity, and systemic injustice.

The trailer opens with military-grade precision as a younger Ben Edwards trains with Navy SEALs before transitioning into the CIA’s shadowy world. Scenes of tactical raids, espionage briefings, and intense night ops emphasize his shift from brotherhood to calculated detachment. Chris Pratt’s James Reece makes a limited but poignant return—shadowing Ben’s rise and the eventual fracture that triggers betrayal. Tom Hopper appears as Raife Hastings, a key ally in Ben’s journey. The tone is gritty and introspective, mapping a path of loyalty, psychological strain, and the costs of clandestine warfare.

The trailer opens in Paris, where Tony and Ziva are raising their daughter, Tali, after Ziva’s return from presumed death. Their peaceful life shatters when Tony’s security company falls under cyberattack, forcing them into a high-stakes chase across Europe. The tone blends action‑thriller and romantic comedy: fast cars, shadowy assassins, Interpol pursuit—and steamy chemistry reignited. A flash of Ziva in a wedding dress hints at unresolved love tension. As Tony quips that their life is now “cops, assassins, killer cars,” it reveals just how far they’ll go to protect family and trust.

Set in autumn 1943, the teaser opens with the crew of a Tiger tank sent far behind enemy lines under enigmatic orders. Fueled by methamphetamine, their journey spirals into moral decay and existential dread. The confined, steel-clad environment becomes a crucible: soldiers confront fear, drug-induced delirium, and the erosion of purpose. Harsh visuals and clipped dialogue underscore the growing psychological abyss. As one voice-over warns, “We reap what we sow,” suggesting a deeper reckoning within—and beyond—the machine.

The first trailer opens in real-time on the evening of March 31, 1943, as Lorenz Hart escapes the Broadway buzz surrounding his former collaborator’s Oklahoma!. Amid the iconic glow of Sardi’s bar, Hart battles despair while colleagues celebrate. Scenes shine a light on his internal collapse—shaved head, diminished stature, and emotional unraveling, as he drinks and rants to sympathetic bystanders. Intercut with archival-style reflections on his life and work (“Blue Moon,” “My Funny Valentine”) the visuals emphasize theatrical ruins, moments of regret, and sudden intimacy. The tone is both elegiac and lyrical, inviting empathy for a creative soul slipping away.

The teaser introduces Im Dong-hwan, a blind painter revered for his uncanny ability to recreate portraits from memory. When he paints his late mother, long-hidden truths unravel as he and his twin father—also a character in the film—begin unlocking a 40-year-old mystery. Scenes shift from muted studio interiors to charged close-ups, painting a cinematic canvas of grief, trauma, and blurred perception. The atmosphere is eerie yet introspective, signaling Yeon’s signature balance of emotional weight with moral ambiguity. ([turn0search13]turn0search13)

The Ugly will world-premiere in TIFF 2025’s Special Presentations section, showcasing Yeon Sang-ho’s transition from kinetic spectacle to meditative human drama.

The trailer opens with sweeping volcanic panoramas and leaders of the Ash People—fire-wielding Na’vi who reject Eywa’s authority—headed by the fierce Varang (Oona Chaplin). Ash arrows ignite forests, and Naomi Sully is shown confronting Varang with raw defiance. Back in the Metkayina and rainforest regions, Jake and his family—still mourning their son Neteyam—face schisms among Na’vi clans. Colonel Quaritch resurges as a recombinant, marked by tribal war paint, forging uneasy alliances with the Ash People. Inter-tribal conflict unfolds across fiery battlefields and soaring aerial sequences, juxtaposed with scenes of mourning and moral ambiguity as alliances fracture and loyalties are tested.

The teaser opens in dimly lit Chinatown kitchens where Aishe, a Uyghur immigrant, scrapes together a living. Skirting deportation amidst cramped quarters, she encounters Skinner, a recently returned U.S. soldier haunted by his service. Their fateful meeting sparks cautious conversation and unexpected intimacy. Through contemplative visuals—empty streets, shared city rooftops, and whispered conversations—the trailer speaks to loneliness, longing, and the yearning for belonging. Under director Bing Liu’s subtle yet powerful lens, the film promises a quiet reckoning of love amid displacement.

Adapted by Martyna Majok from Atticus Lish’s acclaimed novel, the film is produced by Plan B, Plan A (with executive work by Barry Jenkins), and Orion Pictures; co-starring Sebiye Behtiyar and Fred Hechinger.

Connor has quietly obsessed over Olivia for years. One impulsive moment leads the trio into a threesome with Jenny, a stranger. What should’ve remained a one-night stand quickly unravels when both Olivia and Jenny become pregnant, stunning Connor and forcing them all into adulthood. The trailer balances awkward humor (“the world’s most potent‑freakin’ sperm,” “after years of perfection the pull‑out method finally failed”), awkward reconnections, and chaotic family dynamics. The journey—led by honest performances, emotional stakes, and comedic vulnerability—promises a raw and grown-up look at modern relationships and responsibility. 

Apple TV+ has released the official trailer for The Lost Bus, a tense survival drama based on the real-life 2018 Camp Fire in Paradise, California. Directed by Paul Greengrass and starring Matthew McConaughey and America Ferrera, the film follows a desperate attempt to save schoolchildren from an encroaching blaze.

McConaughey plays Kevin, a wayward school bus driver who reluctantly steps up when a distress call over the radio reports 23 stranded kids. One of those children belongs to Ferrera's character Mary, a teacher determined to protect her class no matter the cost. What follows is a race against time through smoke-choked streets and collapsing roads, as the two adults navigate chaos, fear, and the limits of their own courage.

The trailer, layered with tense visuals and emotional stakes, calls the fire "the deadliest wildfire in California history." With harrowing shots of the firestorm, the film promises a visceral depiction of disaster. Paul Greengrass, known for the Bourne series and United 93, brings his signature verite style to this terrifying, true-to-life journey.

Produced by Blumhouse and Comet Pictures with a screenplay by Greengrass and Brad Inglesby (Mare of Easttown), The Lost Bus also stars Yul Vazquez, Ashlie Atkinson, and Spencer Watson. It hits select theaters September 19 and debuts on Apple TV+ October 3.

The trailer opens to “Road to Nowhere” by Ozzy Osbourne—a tune now deeply poignant following his recent passing—underscored by James Gunn’s emotionally charged music choices this season. Christopher Smith returns to the Quantum Unfolding Chamber, revealing a gateway to an alternate universe—the “same as ours, but better.”

We see tensions simmer with Rick Flag Sr. over the death of his son, as the show soft-launches the new DC Universe post‑Superman. Cameos from Hawkgirl, Green Lantern Guy Gardner, Maxwell Lord, and others tease the upcoming Justice Gang auditions, introducing clashes grounded in ego and legacy. A possible romantic arc with Harcourt is teased, and opening credit antics offer the same irreverent energy longtime fans expect.

The teaser opens in 1917 at the Boston Conservatory, where Lionel (Paul Mescal) meets David (Josh O’Connor)—both students united by a passion for folk music. Their connection deepens into love before David leaves for World War I. The film leaps forward: Lionel, now older, joins David on a journey through rural Maine to record traditional music, only to face memories and heartbreak. The trailer features lyrical scenes of nature, intimate songwriting, and a reflective narration by an older Lionel (Chris Cooper), capturing themes of legacy, memory, and unspoken desire. Directed by Oliver Hermanus and adapted from Ben Shattuck’s short story, the film blends romance with cultural preservation in a heartfelt, period-setting drama.

The new trailer reveals a militarized Godolkin campus under Dean Cipher’s regime, where students are molded into fighters ready for war. Marie, Emma, and Jordan reintegrate into college life after months of captivity, entering a dystopian Hunger Games–style environment. Power struggles unfold as Polarity laments his missing son, Andre, and a mysterious university project tied to Marie is brought to light. Cameos from The Boys—Starlight, Black Noir, and The Deep—signal deeper crossover with the mothership series, while new flashbacks introduce Thomas Godolkin as a pivotal legacy figure.

The teaser trail gently through the forests of the Pacific Northwest, as Robert Grainier (Joel Edgerton) works on railroads and marries Gladys (Felicity Jones), hoping to build a simple yet meaningful life. Moments of domestic tenderness contrast sharply with devastation: fire, grief, and isolation strip him of family and direction. Narrated by Will Patton, the story unfolds with poetic restraint and sweeping visuals, underscored by Bryce Dessner’s evocative score. As Robert grapples with change and loss, we witness a universal tale of resilience and the beauty of stillness in motion.

Directed by Clint Bentley (Sing Sing), adapted from Denis Johnson’s novella by Bentley and Greg Kwedar, the film premiered at Sundance 2025 and has since earned 97% on Rotten Tomatoes. A limited theatrical release begins November 7, followed by global streaming on Netflix starting November 21, 2025.

In the first glimpse of Ky Nam Inn, we are transported to post-war Saigon in a quiet, intimate period piece. A translator in his twenties, navigating the complexities of rebuilding a city and life, meets a gracious older widow in her family’s old inn. Their shared moments—a whispered conversation, a gentle smile—speak of solace amid loss. Director Lê Quán Kỳ Nam (Leon Le) weaves subtle emotional threads, portraying cultural dissonance and unspoken longing in a society on the mend. The trailer’s soft lighting and thoughtful pacing suggest a film rich in atmosphere and emotional nuance.

This delicate tale hails from Vietnam and marks Leon Le’s sophomore feature. Ky Nam Inn will world-premiere in TIFF’s Special Presentations category in September 2025.