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‘Project Hail Mary’ New Trailer: Ryan Gosling Faces Deep-Space Amnesia in Phil Lord & Chris Miller’s High-Concept Sci-Fi Rescue Mission

‘Project Hail Mary’ New Trailer: Ryan Gosling Faces Deep-Space Amnesia in Phil Lord & Chris Miller’s High-Concept Sci-Fi Rescue Mission

Ryan Gosling stars in ‘Project Hail Mary,’ the new sci-fi epic from Phil Lord and Chris Miller. Based on Andy Weir’s bestseller, the film follows a scientist with amnesia on a mission to stop the sun from dying. Amazon MGM releases the film in theaters March 20, 2026.

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‘The Chronology of Water’ Trailer: Kristen Stewart Unveils a Raw, Visceral Indie Debut Led by a Ferocious Imogen Poots

‘The Chronology of Water’ Trailer: Kristen Stewart Unveils a Raw, Visceral Indie Debut Led by a Ferocious Imogen Poots

Kristen Stewart’s directorial debut, ‘The Chronology of Water,’ unveils a raw, emotionally charged trailer starring Imogen Poots as a swimmer fighting trauma, addiction, and artistic rebirth. Following its Cannes premiere, the film hits theaters this December with a national rollout in January.

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‘Wuthering Heights’ Trailer: Margot Robbie and Jacob Elordi Ignite Emerald Fennell’s Seductive, Gothic Reimagining

‘Wuthering Heights’ Trailer: Margot Robbie and Jacob Elordi Ignite Emerald Fennell’s Seductive, Gothic Reimagining

Emerald Fennell’s steamy adaptation of Wuthering Heights, starring Margot Robbie and Jacob Elordi, unveils a sensual, visually striking trailer ahead of its February 13, 2026 theatrical release.

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Billy Bob Thornton and Sam Elliott on Taylor Sheridan’s Paramount Exit— What It Really Means for the future of ‘Landman’

Billy Bob Thornton and Sam Elliott on Taylor Sheridan’s Paramount Exit— What It Really Means for the future of ‘Landman’

At the New York premiere of Landman season two, stars Billy Bob Thornton and Sam Elliott addressed Taylor Sheridan’s future move from Paramount to NBCUniversal — and why the hit drama’s future remains secure. With strong cast confidence and record-breaking season-one numbers, Landman isn’t slowing down anytime soon.

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‘Marty Supreme’ Official Trailer: Josh Safdie and Timothée Chalamet Go Full Throttle in a Neon-Flecked Odyssey

‘Marty Supreme’ Official Trailer: Josh Safdie and Timothée Chalamet Go Full Throttle in a Neon-Flecked Odyssey

A24 has released the official trailer for Josh Safdie’s Marty Supreme, starring Timothée Chalamet, Gwyneth Paltrow, Odessa A’zion, Tyler Okonma, Abel Ferrara, Kevin O’Leary, and Fran Drescher. Opening December 25, the film is a neon-lit odyssey through New York’s luxury resale underworld, combining Safdie’s signature chaos with Chalamet’s most explosive performance yet.

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‘Michael’ Trailer Moonwalks into History as the Most-Viewed Music Biopic Launch Ever

‘Michael’ Trailer Moonwalks into History as the Most-Viewed Music Biopic Launch Ever

The first trailer for Antoine Fuqua’s Michael, starring Jaafar Jackson as his legendary uncle, has shattered viewership records with over 230 million global views in 24 hours. The Lionsgate and Universal production captures the spectacle, genius, and tragedy of Michael Jackson’s life, reigniting fascination with the King of Pop ahead of its 2025 release.

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Staff Picks: What to Watch in November

Staff Picks: What to Watch in November

From Guillermo del Toro’s haunting ‘Frankenstein’ to the final chapter of ‘Stranger Things,’ November’s lineup blends blockbusters, streaming hits, and awards contenders. Here are The Cinema Group’s top picks for what to watch in theaters and at home this month.

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‘Beatles’ Biopics Officially Cast Saoirse Ronan, Anna Sawai, Aimee Lou Wood & Mia McKenna-Bruce as the Fab Four’s Wives

‘Beatles’ Biopics Officially Cast Saoirse Ronan, Anna Sawai, Aimee Lou Wood & Mia McKenna-Bruce as the Fab Four’s Wives

Saoirse Ronan, Anna Sawai, Aimee Lou Wood, and Mia McKenna-Bruce have officially joined Sam Mendes’ The Beatles – A Four-Film Cinematic Event as Linda McCartney, Yoko Ono, Pattie Boyd, and Maureen Starkey. The Sony Pictures epic, told through each Beatle’s perspective, marks the first time Apple Corps has granted full rights to their life stories and music.

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‘Scream 7’ Trailer: Neve Campbell Returns, and Ghostface Has Never Been Deadlier

‘Scream 7’ Trailer: Neve Campbell Returns, and Ghostface Has Never Been Deadlier

The first trailer for Scream 7 brings Neve Campbell back as Sidney Prescott and teases a darker, more psychological reinvention of the iconic horror saga.


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‘Wicked: For Good’ Eyes $115 Million Opening Weekend — and the Movie Musical’s Big Return

‘Wicked: For Good’ Eyes $115 Million Opening Weekend — and the Movie Musical’s Big Return

Universal’s Wicked: For Good is projected to open north of $115 million, signaling a revival for movie musicals and a long-awaited box office resurgence in a struggling theatrical market.

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Taylor Sheridan and Peter Berg Join Forces for the ‘Call of Duty’ Movie — Hollywood’s Next Big War Story

Taylor Sheridan and Peter Berg Join Forces for the ‘Call of Duty’ Movie — Hollywood’s Next Big War Story

Taylor Sheridan will write and Peter Berg will direct the long-awaited Call of Duty film, bringing authenticity and grit to one of the biggest gaming franchises in history.

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The Man Behind ‘Spider-Man: Alone’ — Benett Sullivan on Faith, Fandom, and Redefining Heroism

The Man Behind ‘Spider-Man: Alone’ — Benett Sullivan on Faith, Fandom, and Redefining Heroism

‘Spider-Man: Alone’ has exploded online with over 3M views — but director Bennett Sullivan’s fan film is more than viral success. It’s a nonprofit movement blending art, purpose, and community, redefining what independent filmmaking can be.

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A House of Dynamite’ Isn’t Exploitation — Kathryn Bigelow’s Nuclear Thriller Is a Mirror.

A House of Dynamite’ Isn’t Exploitation — Kathryn Bigelow’s Nuclear Thriller Is a Mirror.

Critics called it alarmist, but Kathryn Bigelow’s A House of Dynamite is a daring and necessary work of modern cinema. Far from exploitation, her nuclear thriller channels tension and truth into moral reflection. With Rebecca Ferguson and Jared Harris commanding the screen, Bigelow proves fear can be art — and that art can still provoke courage.

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‘Marty Supreme’: First Reactions From NYFF63 Premiere Hail Timothée Chalamet’s “Career-Best” Turn in Josh Safdie’s Maximalist Sports Epic

‘Marty Supreme’: First Reactions From NYFF63 Premiere Hail Timothée Chalamet’s “Career-Best” Turn in Josh Safdie’s Maximalist Sports Epic

Timothée Chalamet delivers a “career-best” performance in Josh Safdie’s Marty Supreme, which premiered as a surprise at NYFF63. The $70M A24 film — directed and edited by Safdie, who completed the final cut at 2 a.m. the day of the screening — drew raves for its energy, style, and New York spirit ahead of its Dec. 25 release.

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Timothée Chalamet’s ‘Marty Supreme’ Makes Surprise World Premiere at NYFF63

Timothée Chalamet’s ‘Marty Supreme’ Makes Surprise World Premiere at NYFF63

Timothée Chalamet and Josh Safdie surprised New York Film Festival audiences with the world premiere of Marty Supreme, A24’s most expensive film ever. Co-starring Gwyneth Paltrow and Odessa A’Zion, the kinetic $70 million drama marks Safdie’s solo return following Uncut Gems.

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‘Die My Love’ Trailer: Jennifer Lawrence and Lynne Ramsay Unleash a Fever Dream of Motherhood, Madness, and Desire

‘Die My Love’ Trailer: Jennifer Lawrence and Lynne Ramsay Unleash a Fever Dream of Motherhood, Madness, and Desire

Jennifer Lawrence delivers a career-defining performance in Lynne Ramsay’s Die My Love, a haunting portrait of postpartum psychosis co-starring Robert Pattinson, LaKeith Stanfield, Nick Nolte, and Sissy Spacek. The Cannes standout opens November 7 from MUBI, blending psychological horror and raw emotion in Ramsay’s most unflinching work yet.

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‘After the Hunt’ Review: Julia Roberts Leads Luca Guadagnino’s Polarizing Drama of Power, Ethics, and Over-Intellectualized Chaos

‘After the Hunt’ Review: Julia Roberts Leads Luca Guadagnino’s Polarizing Drama of Power, Ethics, and Over-Intellectualized Chaos

Julia Roberts delivers one of her most daring performances in Luca Guadagnino’s After the Hunt, a cerebral and provocative #MeToo-era thriller that opens the 63rd New York Film Festival. Beautifully crafted and intellectually charged, it’s as fascinating as it is divisive.

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