Barbie Ferreira and John Leguizamo shine in 'Bob Trevino Likes It', a heartfelt story of found family and emotional healing. In theaters March 21, 2025. Read our full review.

Robert De Niro stars as both Frank Costello and Vito Genovese in The Alto Knights, a masterful gangster drama directed by Barry Levinson and written by Nicholas Pileggi. Read our full review.

Neon drops the first trailer for Together, the body-horror thriller starring Alison Brie and Dave Franco. A Sundance hit, the film arrives in theaters August 1.

Nicole Kidman and Matthew Macfadyen lead Holland, Mimi Cave’s stylish suburban thriller that unearths dark secrets lurking beneath the American Dream. Read our full SXSW review.

Andre Gaines’ The Dutchman reinvents Amiri Baraka’s classic play, with André Holland and Kate Mara delivering electrifying performances. Read our full SXSW review.

Blake Lively and Anna Kendrick reunite in Another Simple Favor, Paul Feig’s murder mystery sequel set in Capri. Does it live up to the original? Read our full review.

Babak Anvari’s Hallow Road starts as a gripping family drama before veering into the surreal. Rosamund Pike and Matthew Rhys deliver powerhouse performances in one of the year’s most unpredictable thrillers. Read our full review.

Chad Hartigan’s The Threesome isn’t just another hookup comedy—it’s a witty, heartfelt exploration of relationships, commitment, and self-discovery. Zoey Deutch, Jonah Hauer-King, and Ruby Cruz deliver standout performances in this unexpected romantic comedy.

As the 78th Cannes Film Festival approaches, the buzz around this year’s lineup is at an all-time high. Will we see Paul Thomas Anderson, Park Chan-wook, Wes Anderson, or Scarlett Johansson on the Croisette? Here’s a deep dive into the most anticipated films vying for a Cannes 2025 premiere.

A surreal horror-comedy blending dark humor with corporate satire, Death of a Unicorn is A24’s latest genre-bending entry. With absurdist humor, blood-soaked chaos, and sharp social commentary, this film walks the line between horror and farce. Does it break new ground or follow the familiar “eat the rich” playbook? Read our full review here.