‘The Lost Bus’ Review: McConaughey, Ferrera, and Greengrass Capture the Terror of California’s Wildfires

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Sep 7

Written By Jonathan P. Moustakas

**America Ferrera and Matthew McConaughey in "The Lost Bus," coming soon to Apple TV+.**

Paul Greengrass’ wildfire thriller is terrifying, poignant, and unshakable. anchored by McConaughey’s grit, Ferrera’s warmth, and the sheer force of fire itself.

Watching The Lost Bus at its TIFF world premiere was a searing, unforgettable experience. Paul Greengrass takes audiences into the heart of the 2018 Camp Fire with his signature documentary-style intensity, capturing the chaos of one of the most devastating natural disasters in U.S. history. But what lingers long after the credits roll isn’t just the spectacle — it’s the courage of ordinary people facing extraordinary peril, played with conviction by Matthew McConaughey and America Ferrera.

McConaughey’s Kevin McKay is a small-town bus driver who spends almost the entire two-hour runtime behind the wheel, a performance reminiscent of Tom Hardy in Locke. But where Hardy conveyed control, McConaughey projects fraying resilience. a man navigating smoke, flames, blocked roads, and his own doubts, all while shepherding terrified children to safety. He’s undeniably McConaughey; folksy, drawling, familiar but this time there’s something rawer, stripped down, and powerfully human in his portrayal of Kevin.

Ferrera’s Mary Ludwig provides the film’s heart. As a schoolteacher determined to protect her students, she steadies the children with calm professionalism even as panic begins to creep into her own voice. Ferrera’s mix of compassion and fear is devastating, particularly in moments when her composure cracks, reminding us how thin the line is between hope and despair.

Then there’s the fire itself, rendered with staggering realism. On a massive screen with spatial audio, it moves like a living creature. a serpent twisting through California’s valleys, devouring everything in its path. The combination of practical effects, VFX, and sound design makes for one of the most terrifying cinematic depictions of wildfire ever attempted. At times it feels less like watching a film than surviving it.

The adaptation carries its own resonance. Jamie Lee Curtis, herself scarred by the 2024 fires, developed the script from Lizzie Johnson’s nonfiction book Paradise: One Town’s Struggle to Survive an American Wildfire. That personal connection shows; this isn’t disaster spectacle for its own sake, but an urgent attempt to confront the reality of how unprepared California and the U.S. remain in the face of fires that are only growing more frequent and more catastrophic.

**"The Lost Bus," coming soon to Apple TV+.**

Seeing the film alongside survivors of the Camp Fire added immeasurable weight. Knowing that the real Kevin and Mary were just a few rows away turned every moment into something visceral and haunting. At its best, cinema not only entertains but preserves memory and forces reflection. The Lost Bus succeeds on both counts.

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If the film has a weakness, it’s in Greengrass’ tendency to layer on additional melodrama — McKay’s estranged father, a dying dog, fraught parental subplots and the age Old screenwriting principal of intention, Obstacle then repeat. which serves the narrative well as it builds to it’s climatic ending. however, the central story is already enough; those indulgences fade against the overwhelming scale and spectacle of the what Greengrass depicts a unstoppable fire so powerful and real that it’s a Character in and of itself. but the message comes across clear, a world on fire, and a country still failing to reckon with the reality of climate change.

The Lost Bus is not just a thriller. It’s a plea, a warning, and a reminder that resilience comes from community and courage. On the big screen, it’s legitimately terrifying — and in its quietest moments, profoundly moving.

Rating: ★★★★☆

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“Paul Greengrass’ The Lost Bus is a terrifyingly real wildfire thriller, with McConaughey and Ferrera anchoring a survival story that doubles as a sobering reflection on America’s lack of preparedness for disasters growing more frequent every year.”

”Visceral, urgent, and deeply human.”

— Jonathan P. Moustakas