August 2025 Watchlist: From ‘Freakier Friday’ to ‘Caught Stealing’
Graphic by The Cinema Group
The best theatrical releases and streaming premieres this August — including sequels, remakes, reboots, and risky originals.
August is shaping up to be a month of ambitious swings — from nostalgic comedies and indie thrillers to legacy sequels and bold franchise reinventions. Below is our editorially curated guide to the most compelling films and series hitting theaters and streaming this month, blending popcorn spectacle with prestige surprises. Whether you’re revisiting familiar characters or diving into buzzy premieres, there’s something new for every taste — and a few sure bets for awards season discourse down the line.
The Naked Gun
In Theaters – August 1, 2025
Liam Neeson steps into the trench coat of Frank Drebin Jr. in The Naked Gun, a reboot that somehow works thanks to an all-star comedy team behind the scenes. While many rolled their eyes at the casting announcement, Neeson embraces the absurdity of the role, riffing off his own dramatic image with surprising timing. Director Akiva Schaffer (The Lonely Island) finds just the right pitch between parody and homage, while producer Seth MacFarlane sharpens the edges with a barrage of gags that feel both retro and self-aware.
Pamela Anderson, Paul Walter Hauser, and CCH Pounder round out a cast that never once tries to play it straight, and the film knows exactly how far to lean into its roots. A well-placed O.J. joke early on signals that nothing’s off-limits. Whether it connects with Gen Z or not, this version of The Naked Gun earns its badge through sheer comic commitment.
Eyes of Wakanda
Disney+ – August 1, 2025
Marvel’s multiversal ambitions take a sleek animated detour with Eyes of Wakanda, the first project out of Ryan Coogler’s Disney+ deal. Directed by longtime Marvel storyboarder Todd Harris, the series traces time-traveling warriors who recover dangerous vibranium artifacts scattered across history. The result is a high-concept blend of sci-fi, action, and Afrofuturist legend that broadens the MCU’s tone and timeline alike.
Anika Noni Rose, Cress Williams, and Winnie Harlow voice characters who balance kinetic combat with moral dilemmas — all while the animation style breaks free from Marvel’s usual house look. At just four episodes, Eyes of Wakanda is more of an interlude than a saga, but it’s one that reminds viewers why Wakanda remains the crown jewel of the franchise.
The Bad Guys 2
In Theaters – August 1, 2025
DreamWorks returns to the slick, stylish world of The Bad Guys, and while the sequel might not surprise you, it certainly entertains. Sam Rockwell’s Mr. Wolf is lured back into a heist by a femme fatale named Kitty Kat (voiced with delicious mischief by Ana de Armas), and the story hits just the right balance of Looney Tunes slapstick and Soderbergh-lite caper beats.
Director Pierre Perifel once again keeps things zippy, with poppy visuals and kinetic editing that appeal to both kids and adults. If the plot feels recycled, the sheer voice cast energy (Marc Maron, Craig Robinson, Anthony Ramos) keeps it fun — and yes, there are more car chases and disguises than a Mission: Impossible movie. It’s lightweight fun, but smart fun.
Wednesday: Season 2
Netflix – August 6, 2025
Three years after Wednesday took over Netflix with its viral dance numbers and gothic flair, Jenna Ortega returns to Nevermore Academy — and this time, she’s even more in control. Season 2 ups the ante with higher stakes and a broader ensemble, including Steve Buscemi as the school’s new headmaster and Lady Gaga in a mysterious role that fans will dissect for months.
Series creators Miles Millar and Alfred Gough deepen the show’s mythology without losing the deadpan bite that made Season 1 a sensation. Ortega remains magnetic, delivering each line with a blend of menace and melancholy that never feels forced. Whether you’re here for the monsters or the fashion, Wednesday proves there’s still magic in the macabre.
Weapons
In Theaters – August 8, 2025
After Barbarian turned basements into nightmares, Zach Cregger is back with Weapons — a chilling ensemble horror film about a townwide phenomenon where schoolchildren vanish without warning. The film unspools like The Leftoversmeets It Follows, trading in urban legend dread and moral panic in equal measure.
Julia Garner and Josh Brolin lead a stacked cast that never tips into camp, and Cregger’s script — reportedly the subject of a fierce Hollywood bidding war — keeps viewers guessing until the final frame. The scares are cerebral, the editing ruthless, and the structure nonlinear in all the right ways. If Barbarian was his calling card, Weapons is Cregger’s confident statement of intent.
Freakier Friday
In Theaters – August 8, 2025
Twenty years after the Lohan-Curtis body-swap comedy became a Disney Channel mainstay, Freakier Friday adds a whole new generation into the mix — literally. Lindsay Lohan returns as Anna, now a mom herself, and when her teenage daughter and stepdaughter also swap bodies with Jamie Lee Curtis’s iconic Tess, chaos (and parenting) ensues.
This four-way swap device could’ve gone horribly wrong, but director Nisha Ganatra treats the concept with emotional weight and comedic patience. Julia Butters and Sophia Hammons shine as the younger generation, while Lohan and Curtis bring gravitas and genuine warmth to the mayhem. Nostalgia is part of the appeal, sure — but the sequel earns its heart the old-fashioned way: with character, chaos, and comedy that lands.
Alien: Earth
Hulu – August 12, 2025
Noah Hawley’s prequel series boldly rewrites Alien canon — and somehow gets away with it. Set in 2010, long before Ripley’s crew boards the Nostromo, Alien: Earth imagines a world where the Xenomorphs are discovered on our planet and hidden by the Weyland-Yutani Corporation. But instead of cheap thrills or fan service, Hawley focuses on paranoia, political coverups, and a slow-burn sense of dread.
Sydney Chandler leads a strong cast in what might be the most philosophically rich Alien project to date, and the aesthetic leans closer to Fargo or Devs than Ridley Scott’s space horror. The series plays like Chernobyl with chestbursters — methodical, believable, and quietly horrifying. Whether it “counts” in the larger mythology or not, it’s one of the most exciting expansions of a classic IP in years.
Butterfly
Prime Video – August 13, 2025
Based on the graphic novel, Butterfly is a tight, emotionally charged espionage thriller wrapped around a father-daughter reunion like no other. Daniel Dae Kim plays a retired intelligence officer living off the grid in Korea — until his estranged daughter, played by Reina Hardesty, is sent to kill him. The twist? They decide to team up instead, turning on the agency that betrayed them both.
What could’ve been a standard action setup becomes a tender, high-stakes character study thanks to Kim’s grounded performance and Piper Perabo’s villainous turn. Think The Bourne Identity meets The Americans, but with sharper intergenerational friction and more heart. A must-watch for those who like their spy dramas personal.
Shin Godzilla (4K Re-Release)
In Theaters – One Night Only, August 14, 2025
If you missed Hideaki Anno’s Shin Godzilla in its initial 2016 run, this one-night-only 4K theatrical re-release is essential viewing. The film is less about monster mayhem and more about the bureaucratic absurdity of modern Japan, where crisis meetings stack up faster than casualties. It’s sharp satire disguised as kaiju carnage.
The creature design is grotesque and ever-evolving, while the human response is terrifying in its incompetence. For all the CGI destruction, the real fear comes from paralysis — political, procedural, existential. It’s still the best Godzilla film of the 21st century.
Americana
In Theaters – August 15, 2025
Sydney Sweeney trades in Euphoria stardom for indie grit in Tony Tost’s Americana, a dusty noir-western set in a South Dakota town plagued by stolen artifacts and escalating racial tensions. The film has lived in post-festival limbo for over a year, but now hits theaters with a unique mix of genre mashups.
Sweeney’s performance is quietly compelling, and Paul Walter Hauser brings offbeat menace as a black market middleman. There’s commentary here about cultural ownership and identity, though not all of it lands. Still, Tost’s directorial debut is ambitious, moody, and full of texture — a flawed gem worth seeking out.
Peacemaker: Season 2
HBO Max – August 21, 2025
John Cena returns as DC’s most hilariously unfiltered anti-hero in Peacemaker Season 2, now tangled in a multiversal identity crisis. Frank Grillo joins the fray as Rick Flagg Sr., while the plot zips between timelines and alternate realities — including one where Peacemaker is an adored global icon.
James Gunn keeps things anarchic and irreverent, mixing sitcom dynamics with cosmic stakes. The show’s strength remains its emotional core: Cena’s Peacemaker isn’t just a punchline machine — he’s a broken, searching man trying to do better, even if he keeps blowing things up in the process.
Highest 2 Lowest
In Theaters – August 22, 2025
Spike Lee remakes High and Low as a sleek Manhattan-set thriller starring Denzel Washington as a mogul blindsided by a double-cross and kidnapping plot. Loosely adapted from Kurosawa’s original, this version folds in the music industry, class warfare, and razor-sharp social commentary.
The real intrigue lies in the casting of A$AP Rocky and Ice Spice, who deliver surprisingly layered performances. Lee’s kinetic style is in full force, and the city pulses with menace and style. It’s part art film, part suspense procedural, and all attitude.
Honey Don’t!
In Theaters – August 22, 2025
Ethan Coen and Tricia Cooke return with another offbeat queer caper — this time following Margaret Qualley as a PI caught between a cult leader (Chris Evans, unhinged) and a mystery woman (Aubrey Plaza, electric). A spiritual sequel to Drive-Away Dolls, Honey Don’t! is weirder, hornier, and more chaotic.
The story veers into B-movie territory with delight, but never at the expense of character. Qualley gives her best performance since Sanctuary, and the visual gags hit harder than expected. It’s niche, sure — but niche has never looked this fun.
Splitsville
In Theaters – August 22, 2025
Michael Angelo Covino and Kyle Marvin (The Climb) craft a sharply observed romantic dramedy that explores infidelity, co-dependence, and the absurd logistics of divorce. Dakota Johnson and Adria Arjona lead a tangled quartet of lovers and exes all trying to make sense of what’s next.
The dialogue crackles with specificity, the blocking is theatrical in the best way, and the emotional arcs hit just right. It’s a small film, but one that cuts deep — the kind of comedy that hurts a little too much to laugh at.
Invasion: Season 3
Apple TV+ – August 22, 2025
Despite still refusing to tell us exactly why aliens are here, Invasion returns with a renewed sense of purpose — and a bigger budget. Season 3 explores new global crises, deeper human-alien hybrid theories, and teases a war brewing within the extraterrestrial ranks.
Billy Barratt and Shioli Kutsuna continue to anchor the show’s emotional threads, and the slow-burn pacing finally starts to pay off with more action and less ambiguity. Invasion may not win over the impatient, but it remains one of TV’s most meditative takes on first contact.
Lurker
In Theaters – August 22, 2025
A breakout at Sundance, Lurker dives into the toxicity of the LA music scene through the eyes of an obsessive assistant, played with eerie precision by Théodore Pellerin. As he rises in the ranks of a rising artist’s entourage, the lines between admiration and control blur-fast.
Archie Madekwe delivers star power, but the film belongs to Pellerin, whose performance is so contained it’s suffocating. Director Alex Russell weaponizes silence, shadows, and social media to create a thriller that feels both timeless and terrifyingly current.
The Roses
In Theaters – August 29, 2025
Olivia Colman and Benedict Cumberbatch go full scorched-earth in this remake of The War of the Roses, playing a couple whose bitter divorce turns into slapstick warfare. It’s vicious, theatrical, and wickedly funny — the kind of satire that gleefully destroys everything in its path.
Director Paul Feig leans into the genre’s darkest impulses, with Kate McKinnon and Ncuti Gatwa as scene-stealing side characters. Comedy might be struggling at the box office, but The Roses is the kind of chaotic crowd-pleaser that reminds us why we love watching people fall apart onscreen.
Caught Stealing
In Theaters – August 29, 2025
Austin Butler trades Elvis glam for sweaty paranoia in Darren Aronofsky’s Caught Stealing, a pulpy crime comedy set in ‘90s NYC. When a broke bartender’s cat-sitting gig goes sideways, he finds himself hunted by gangsters, dirty cops, and seemingly everyone in Manhattan.
Butler is excellent, but it’s Aronofsky’s shift into screwball noir that’s the biggest surprise — and it works. With Zoë Kravitz, Liev Schreiber, and Action Bronson rounding out the cast, this offbeat adaptation of Charlie Huston’s novel is a frantic, funny, and feverishly directed ride.
This month’s slate is a testament to the creative chaos that defines late-summer cinema. From intimate thrillers to multiverse showdowns, August 2025 proves that the industry’s best bets aren’t always sequels or superheroes — though a few of those surprise, too. Whether you’re revisiting old favorites or finding unexpected gems, this is the rare kind of month that rewards curiosity — and maybe even a little risk.
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