‘Predator: Badlands’ Devours the Box Office with Record-Breaking Opening Weekend

Thia (Elle Fanning) and Dek (Dimitrius Schuster-Koloamatangi) in ‘Predator: Badlands.’ 20TH CENTURY STUDIOS

The hunt is back on — and audiences showed up in force for the most brutal Predator chapter yet.

20th Century Studios’ Predator: Badlands has ripped through projections to deliver a monstrous $87 million domestic debut — the highest opening in franchise history and one of the best for an R-rated action film in nearly a decade. Directed by Dan Trachtenberg (Prey), the latest entry in the long-running sci-fi saga returned the franchise to its primal roots: small-team survival, raw suspense, and relentless violence that recalls John McTiernan’s 1987 original while pushing the mythology into startling new territory.

The weekend numbers stunned analysts who had expected a modest $55–60 million start. Instead, the film’s word-of-mouth and critical buzz — touting it as “the best Predator since the original” — translated into packed Thursday-night previews and repeat IMAX attendance across the country. Internationally, Badlands opened to an additional $92 million, bringing its global total to $179 million and marking a triumphant return for the franchise once considered dormant after several uneven reboots.

Set in the scorched deserts of New Mexico, Badlands follows a covert military unit tracking a downed alien ship, only to find themselves hunted by a new breed of Predator adapted to the planet’s harsh terrain. Boyd Holbrook reprises his role from The Predator (2018), joined by Zoë Kravitz, Glen Powell, and Yahya Abdul-Mateen II, whose performances and chemistry have been praised for grounding the spectacle in human fear and grit. Critics also highlighted Trachtenberg’s stripped-down filmmaking — practical effects, long-take tension, and sound design that weaponizes silence as much as carnage.

The box-office breakout carries larger implications for Disney’s 20th Century division, which has struggled to balance legacy IP with original output. With Badlands outperforming expectations, insiders say the studio is already exploring a sequel and potential crossover with the Alien universe — a prospect that could anchor 20th Century’s adult-genre slate for years to come. Marketing analysts point to an expertly timed campaign that leaned into nostalgia while promising something genuinely savage: trailers centered on atmosphere and terror rather than CGI spectacle, a strategy that mirrored the success of Prey’s streaming rollout but delivered it theatrically at scale.

POPULAR ON THE CINEMA GROUP

Beyond the numbers, the film’s success signals a hunger for tactile, R-rated genre fare amid superhero fatigue. Audiences are craving danger again — movies that bleed, sweat, and roar. For Trachtenberg, whose quiet confidence guided Prey to critical acclaim on Hulu, the theatrical vindication of Badlands feels like a culmination. “The big screen is where the Predator belongs,” he said at the film’s Los Angeles screening last week. Judging by the receipts, the audience agrees.

With Thanksgiving tentpoles looming, Predator: Badlands stands tall as one of the final quarter’s biggest commercial wins — proof that if you make the hunt real, people will follow the blood trail straight to the theater.


|   FEATURES   |    INTERVIEWS   |    REVIEWS   |   VIDEOS   |    TRENDING   |   TRAILERS   |

 

THE CINEMA GROUP

YOUR PREMIER SOURCE FOR THE LATEST IN FILM AND ENTERTAINMENT NEWS 

FOLLOW US FOR MORE


 
 
Previous
Previous

‘The Running Man’ Takes Over New York: A Star-Studded Premiere and a Victory Lap for Big-Screen Spectacle

Next
Next

‘Now You See Me: Now You Don’t’ Brings Movie Magic to New York Premiere